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Tish Oney presents a cutting-edge guide for those teaching and singing jazz, combining jazz voice stylization techniques and various improvisational approaches with classic voice pedagogy. Legendary jazz singers' approaches and techniques are described to illustrate the various approaches available to jazz singers.
List of contents
IntroductionChapter 1 - The Science of SingingAnatomy of the Larynx
Anatomy of the Breathing Mechanism
Anatomy of the Ear and Hearing Protection
The Physics of Singing
Chapter 2 - Vocal Health and HygieneHabits to Cultivate for a Healthy Voice
Daily Check-In and Warm-Up
The Healthy Speaking Voice
Sleep Hygiene
The Voice Care Team
Hearing Protection
Environmental Considerations
Voice Problems and Pathologies
Voice Preservation
Chapter 3 - Posture and AlignmentBalance Points in the Skeleton
Coordinating Body Alignment
Singer-Instrumentalists
Benefits of Excellent Posture
Posture Lessons from the Masters
Chapter 4 - Managing the BreathThe Process of Breathing
Applying the Singer's Breath to Jazz
Helpful Breathing Exercises
Chapter 5 - Phonation, Articulation, and ResonancePhonation
Articulation
Resonance
Dr. Oney's Mix Continuum
Chapter 6 - Jazz Style and OrnamentationJazz Language
Jazz Across the World
Style in the Voices of Jazz Masters
The Listening Diet
Tools for Teaching Jazz Style
The Bag of Tricks
Chapter 7 - Vocal ImprovisationMelodic Embellishment
Scat Improvisation
Text-Based Improvisation
Vocalese
Lyric Improvisation
Free Improvisation
World Music and Improvisation
Chapter 8 - Phrasing and ExpressionPhrase Types
Steps to Learning a Song
Back-Phrasing
Learning Phrasing from the Masters
The Art of Expression
Chapter 9 - Microphone Technique and Vowel ShapingBasics of Microphone Technique
Types of Microphones
Crossover Work with a Microphone
Navigating the Mix Continuum with a Microphone
Selecting Microphones
Sound Checks
Microphone Technique and Communication
Mic Technique of the Masters
Vowel Purity
Microphones and Articulation
Subtlety is Key
Chapter 10 - Vocal Jazz EnsemblesWhat is Blend?
Balance
Authentic Style
Instrumentalists as Choir Directors
Solo Voices in a Choral Setting
Vocal Jazz Repertoire
Tips for an Effective Rehearsal
Structuring the Rehearsal
Building the Vocal Jazz Ensemble
Guided Listening to Professional Ensembles
Chapter 11 - Dalcroze Eurhythmics and Voice PedagogyIntroduction to the Dalcroze Method
Three Pillars of Instruction
Benefits of Studying Dalcroze Exercises
Applications of Dalcroze Exercises in the Applied Studio
Types of Dalcroze Exercises
Application of Dalcroze Exercises in the Vocal Jazz Ensemble
Chapter 12 - Jazz Theory and Instrumental ApproachesScales and Modes
Chord Progressions and Form
Motivic Improvisation
Thirds, Sevenths, and Extensions
Hemisphericity
Transcription
Chapter 13 - Mindful Singing and Mental ToughnessPre-Performance Mental Preparation
The Vocal Warmup Routine
McCloskey's Points of Relaxation
Breathing Exercises
Mindful Practice
Mental Toughness
Chapter 14 - Arranging and BandleadingThe Jazz Singer-Arranger
Constructing a Professional Arrangement
Playing with Styles
Bandleading
Chapter 15 - Artistry and Pedagogy-Putting It All TogetherThe Complete Singing Artist
The Singer-Entrepreneur
Alternate Paths
A Complete Pedagogy
Artistry as Gestalt
Consistency and Practice
Evolving Artistry Throughout Life
True Artistic Mastery
Appendix: Sample Practice GuideTeaching the Crossover Singer
Sample Practice Guide Part I: Strengthening Technique
Sample Practice Guide Part II: Expression and Communication
Selected Bibliography
About the author
Tish Oney has headlined with symphony orchestras, big bands, and jazz combos throughout the world and has recorded five albums as leader. Possessing a doctorate in jazz from University of Southern California, this internationally acclaimed jazz singer, musicologist, arranger, composer, and conductor has served several institutions as professor and visiting artist. She writes a column titled “Anatomy of a Standard” for All About Jazz and authored Peggy Lee: A Century of Song.
Summary
Tish Oney presents a cutting-edge guide for those teaching and singing jazz, combining jazz voice stylization techniques and various improvisational approaches with classic voice pedagogy. Legendary jazz singers’ approaches and techniques are described to illustrate the various approaches available to jazz singers.
