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This book examines major Russian TV series focusing on three major issues: Russian television's transition to digital post-broadcast visual economy, Russian television's integration into global television markets and their genre systems, and major shifts in representation of gender and sexuality on television.
List of contents
Table of Contents
Note on Transliteration
Introduction
1. The Cultural Euphemism of Kul′tura: Soviet Nostalgia on the Russia-K Channel
Alyssa DeBlasio 2. The Great Patriotic Serial: Penal Battalion (
Shtrafbat), Historical Taboos, and the Beginnings of the New National Idea
Stephen M. Norris3. Orlova and Aleksandrov Redux: The TV Series
Rimgaila Salys4. Putin-Era Television Productions about Catherine the Great: Active Measures as Period Drama
Elena Prokhorova and Alexander Prokhorov5. Between Pornography and Nostalgia: Valery Todorovsky’s
The Thaw (
Ottepel′)
Lilya Kaganovsky6. The State of Affairs: Screwing Family Values in Putin’s Russia
Tatiana Mikhailova7. Glocalizing Neo-Noir: Iury Bykov’s
The Method and
Sleepers
Elena Prokhorova,
Alexander Prokhorov,
and Rimgaila Salys 8. Queer Families: Gender, Sexuality, and the Neoliberal State on Russian Television
Vlad Strukov9. The Web Series
Bitches (
Stervochki) and Post-Legacy Television in Russia
Saara Ratilainen 10. Interviews
Alexander Dulerain: Television Producer and Showrunner
Sergei Fiks: Producer and Studio Executive
Denis Gorelov: Scriptwriter, Executive Producer, and Film Critic
Natalia Meshchaninova: Director and Scriptwriter
Maksim Stishov: Producer, Showrunner, and Scriptwriter
Contributors
About the author
Alexander Prokhorov teaches at Russian and Film Studies Programs at The University of William & Mary.
Elena Prokhorova teaches at Russian and Film Studies Programs at The University of William & Mary.
Rimgaila Salys is Professor Emerita of Russian Program at the University of Colorado Boulder and an expert in twentieth century Russian literature, film, and culture.
Summary
This book examines major Russian TV series focusing on three major issues: Russian television’s transition to digital post-broadcast visual economy, Russian television’s integration into global television markets and their genre systems, and major shifts in representation of gender and sexuality on television.
