Fr. 49.90

Shape of Motion - Cinema and the Aesthetics of Movement

English · Paperback / Softback

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Description

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The Shape of Motion: Cinema and the Aesthetics of Movement develops a method for analyzing movement on screen by identifying patterns or shapes of motion-called "motion forms"-across a wide range of examples from the history of cinema. By examining a single motion form, each chapter rethinks persistent assumptions in film studies about cinema as a medium.

List of contents










  • Acknowledgments

  • Introduction Moving toward Form

  • The Problem of "Movement"

  • Perceiving Form

  • Imaged Motion

  • Describing Motion

  • Chapter 1 Contingent Motion

  • Kant's Beautiful Views

  • Early Cinema's Water-Effects Films

  • CGI's Fuzzy Objects

  • From the Novelty of Motion to Forms of Motion

  • Chapter 2 Habitual Gestures

  • Ways of Moving

  • Ways of Moving Differently

  • The Cultivation of Habit

  • Capturing the In-Between

  • Chapter 3 Durational Metamorphosis

  • Cinematic Slowness and Duration

  • Duration Made Visible

  • From Natural to Supernatural Metamorphosis: Silent Light

  • From Sleeping to Seeing

  • Chapter 4 Spatial Unfurling

  • From Moving to Unfurling

  • Lateral Camera Movement

  • Seeing Double

  • Aspects of the Moving Camera

  • Chapter 5 Trajective Locomotion

  • Approaching Trajectivity

  • A World of Trajectivities

  • Exploring Exceptions

  • The Ethics of the Moving Camera

  • Chapter 6 Bleeding Pixels

  • Movement-Sensitive Spectatorship

  • A Pedagogy of Motion Perception

  • Seeing Movement Move

  • Conclusion Movement as Excess



About the author

Jordan Schonig is a Lecturer in the Cinema Department at Binghamton University.

Summary

The Shape of Motion: Cinema and the Aesthetics of Movement develops a method for analyzing movement on screen by identifying patterns or shapes of motion-called "motion forms"-across a wide range of examples from the history of cinema. By examining a single motion form, each chapter rethinks persistent assumptions in film studies about cinema as a medium.

Additional text

The Shape of Motion is an imaginative and important bookâ¦The Shape of Motion, I have no doubt, will be a fruitful and influential work of film-theoretical scholarship.

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