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A master of documentary poetry, Erika Meitner takes up the question of desire and intimacy in her latest poetry collection.
About the author
Erika Meitner is the author of six books of poems, including
Useful Junk (BOA, 2022);
Holy Moly Carry Me (BOA, 2018), which won the 2018 National Jewish Book Award in Poetry and was a finalist for the National Book Critics Circle Award;
Copia (BOA, 2014); and
Ideal Cities (HarperCollins, 2010), which was a 2009 National Poetry series winner. Meitner's poems have been anthologized widely, and have appeared in publications including
Best American Poetry, Ploughshares, Virginia Quarterly Review, The New York Times Magazine, The New Republic, Poetry, and
The Believer. Other honors include fellowships from MacDowell, the Wisconsin Institute for Creative Writing, the Virginia Center for the Creative Arts, the Hermitage Artist Retreat, Bethany Arts Community, and Blue Mountain Center. She was also the 2015 US-UK Fulbright Distinguished Scholar in Creative Writing at the Seamus Heaney Centre for Poetry at Queen's University Belfast. Meitner lives in rural southwest Virginia and is currently a Professor of English at Virginia Tech.
Summary
A master of documentary poetry, Erika Meitner takes up the question of desire and intimacy in her latest poetry collection.
Foreword
National book tour with bookings through Blue Flower Arts: https://blueflowerarts.com/booking.
National advertising: Poets & Writers, American Poets, and the Academy of American Poets newsletter.
Outreach to online media and bloggers including BuzzFeed, Bustle, Book Riot, Literary Hub, and The Rumpus. Heavy push to Jewish publications (e.g. Lilith, The Jewish Current) and mainstream women’s magazines (e.g. Ms. Magazine, Oprah Daily, Teen Vogue).
Excerpts in The Adroit Journal, American Poetry Review, The Believer, Copper Nickel, Gulf Coast, Image, New England Review, Poem-a-Day, Southern Indiana Review, Tampa Review, Tinderbox, Virginia Quarterly Review, and the anthologies The Eloquent Poem (Persea Books, 2019) and Waterproof Miami (Jai Alai Books, 2021).Spring book announcements submitted to Publishers Weekly.
Online/social media campaign: Extensive promotion through BOA's website, blog, e-newsletter, Facebook, Twitter, and Instagram accounts. Giveaways planned through ABA Advance Access, LibraryThing, and BOA’s Instagram.
Promotion through author’s website: http://erikameitner.com.
Additional text
“Erika Meitner’s Useful Junk is composed of poems that are tragicomic-erotic-nostalgic with a twist of existential dread and a cherry of wit on top. Meitner’s speaker is most comfortable, or most able to endure her discomfort, when she’s on the move, in airport terminals and on subway platforms, between the domestic present tense and the erotic subterfuge of memory, sex, and poetry, between selfhood and the selfie. These daring poems exist at the intersection of usefulness and junk, where I, you, and we are tenuously twined ‘together like an interrobang’ until we drop anchor or disappear.”
—Diane Seuss, author of frank: sonnets
“There are so many layers of revelation embodied in Erika Meitner’s Useful Junk, and so many selves allowed to speak and shine here. This book is more than I thought a book could be. Sharp and funny and horny and transcendent and generous and human as hell, it is the very book of poems all my selves have been waiting for. ‘Listen,’ the poet says here, ‘we are making art because we want to inhabit everything / and not fear it.’ Done and done, Erika Meitner. Done and done.”
—Carrie Fountain, author of The Life
“Useful Junk is indisputably addictive, graced by the poet’s signature clutch on quirky, her dazzling and exhaustive range, and a dexterity with lyric that consistently upends the ordinary. An Erika Meitner poem is not only enviable art—it’s a loosening of what ties us to the ordinary. And the long-anticipated arrival of this new work is cause for unbridled celebration, a necessary reminder that great poetry always arrives just when we need it.”
— Patricia Smith, author of Incendiary Art: Poems
