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List of contents
Notes on Contributors
1 States of Emergency: Performing Crisis Clare Wallace and Clara Escoda
Corporealites
2 Ageing as Crisis on the Twenty-first-century British Stage Siân Adiseshiah
3 Creative Contexts and Crises of Care: Ella Hickson’s The Writer Vicky Angelaki
4 ‘I’m Not Afraid of Being Labelled a Dirty Boring Feminist’: Reproductive Work, Feminism and/in Crisis at the Royal Court Elisabeth Massana
Collective action
5 ‘We Need to Make the World We Live in’: Crisis and Utopia in Jack Thorne’s Hope and Lung’s E15 Enric Monforte
6 Peopling the Theatre in a Time of Crisis Sarah Bartley
Nationscapes
7 Fields in England: Contemporary English Drama and the Countryside David Pattie
8 ‘Sinking Giggling into the Sea’: Postdemocracy and the State of British Politics in James Graham’s This House and Labour of Love José Ramón Prado-Pérez
Contact zones
9 Theatre of Migration: Uncontainment as Migratory Aesthetic Verónica Rodríguez
10 The Crisis of Multiculturalism in Charlene James’s Cuttin’It and Gloria Williams’s Bullet Hole María Isabel Seguro and Marta Tirado
New directions
11 ‘Imaging’ Crisis: Photodramas in Focus Elisabeth Angel-Perez
12 Playing in the Dark: Tim Crouch’s Total Immediate Collective Imminent Terrestrial Salvation Stephen Scott-Bottoms
13 Re-membering Assembly Louise Owen and Marilena Zaroulia
Index
About the author
Clare Wallace is Senior Lecturer in Irish and British Literature and Irish and Intercultural Studies at Charles University, Prague, Czech Republic. She is a contributor to the two volumes The Methuen Drama Guide to Contemporary Irish Playwrights, The Methuen Drama Guide to Contemporary British Playwrights, and author of Suspect Cultures: Narrative, Identity and Citation in 1990s New Drama (2011). Further works include: Monologues: Theatre, Performance, Subjectivity (2006), and Television plays (co-written with Stewart Parker, 2010).José Ramón Prado-Pérez is Senior Lecturer in English Literature and Drama at Universitat Jaume I, Spain. His research focuses on British political theatre with an emphasis on its social and experimental dimensions. He has published articles on Caryl Churchill, Pam Gems, Theatre Uncut, Punchdrunk or James Graham. His latest work includes co-editing World Political Theatre and Performance (Brill 2020) and Crisis, Representation and Resilience (Methuen 2022). He is an active member of the international research group Contemporary British Theatre Barcelona (https://www.ub.edu/cbtbarcelona/). He has collaborated with Theatre Uncut as translator from 2013-2017.
Summary
A collection of incisive investigations into the ways that 21st-century British theatre works with - and through - crisis. It pays particular attention to the way in which writers and practitioners consider the ethical and social challenges of crisis.
Anchored in an interdisciplinary approach that draws from sociology, cultural theory, feminism, performance and philosophy, the book brings multi-faceted ideas into dialogue with the diverse aesthetics, practices and themes of a range of theatrical work produced in Britain since 2005.
Topics discussed include:
Ageing
Austerity
Gender
Migrancy
Multiculturalism
Aesthetics
Companies discussed include:
Theatre Uncut
Lost Dog
Camden People's People
Lung
Brighton People's Theatre
Phosphoros Theatre
Playwrights discussed include:
Jez Butterworth
Caryl Churchill
Tim Crouch
Vivienne Franzmann
James Graham
debbie tucker green
Ella Hickson
Charlene James
Lucy Kirkwood
Simon Longman
Cordelia Lynn
Simon Stephens
Jack Thorne
Chris Thorpe
Gloria Williams
Building on recent publications in the area and engaging in dialogue with them, Crisis, Representation and Resilience considers how crisis is being re-thought and re-orientated through theatrical performance and the ways theatre invites us to respond to the many challenges of the contemporary times.
