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'Quivers with honesty, A-list gossip and sardonic prose' The Times
'Everett is a deliciously gifted writer. Nothing and no one escapes his attention' ObserverRupert Everett tells the story of how he set out to make a film of Oscar Wilde's last days, and how that ten-year quest almost destroyed him. (And everyone else.)
Travelling across Europe for the film, he weaves in extraordinary tales from his past, remembering wild times, freak encounters and lost friends. There are celebrities, of course. But we also meet glamorous but doomed Aunt Peta, who introduces Rupert (aged three) to the joys of make-up. In '90s Paris, his great friend Lychee burns bright, and is gone. While in '70s London, a 'weirdly tall, beyond size zero' teenage Rupert is expelled from the Central School of Speech and Drama.
Unflinchingly honest and hugely entertaining,
To the End of the World offers a unique insight into the 'snakes and ladders' of filmmaking. It is also a soulful and thought-provoking autobiography from one of our best-loved and most talented actors and writers.
About the author
Rupert Everett shot to fame with the film Another Country in 1984 and has been a hugely successful actor and writer for many years. His films include The Madness of King George III; My Best Friend's Wedding; Shrek II and III; Shakespeare in Love and St Trinian's. His stage work includes playing Oscar Wilde in David Hare's The Judas Kiss (2012), for which he won the WhatsOnStage Award for Best Actor in a Play and was nominated for an OIivier Award. His first memoir, Red Carpets and Other Banana Skins, was a Sunday Times bestseller and its sequel, Vanished Years, won the Sheridan Morley Prize for Biography. His film of Oscar Wilde's last years, The Happy Prince, was released in 2018 to widespread acclaim.
Summary
The extraordinary and outrageous memoir from award-winning writer and actor Rupert Everett
Foreword
The extraordinary and outrageous memoir from award-winning writer and actor Rupert Everett
Additional text
To the End of the World is quite as brilliant as its two predecessors. It is sharp, camp, fearless, touching and very, very funny
