Read more
Diana Tempest (1893) is novel by Mary Cholmondeley. Partly based on her experience as an artist from a wealthy landowning family, Diana Tempest is a story of greed, romance, and betrayal that faced backlash from critics for its controversial portrayal of female sexuality. Satirical and deeply observant of the hypocrisies of Victorian society, Diana Tempest is an essential work by one of Victorian England's bestselling novelists. "Colonel Tempest, as a rule, took life very easily. If he had fits of uncontrolled passion now and then, they were quickly over. If his feelings were touched, that was quickly over too. But to-day his face was clouded. He had tried the usual antidotes for an impending attack of what he would have called 'the blues,' by which he meant any species of reflection calculated to give him that passing annoyance which was the deepest form of emotion of which he was capable." Unused to being denied, Colonel Tempest is unable to control himself following the death of his brother. Rather than mourn his loss, he laments the passing of the Tempest family fortune to his nephew John, a secretly illegitimate child whose claim as heir is fabricated at best. A notorious gambler, he makes a drunken bet that he will one day control the estate, unwittingly placing a bounty on John's head. At the same time, the Colonel's daughter Diana has begun to fall in love with the young heir, complicating her father's plans and welcoming disaster into her life. Diana Tempest is a tale of family, faith, and betrayal that explores the Victorian concept of the New Woman without sacrificing its entertaining narrative. With a beautifully designed cover and professionally typeset manuscript, this edition of Mary Cholmondeley's Diana Tempest is a classic work of British literature reimagined for modern readers.
About the author
Mary Cholmondeley (1859 - 1925) was an English novelist. She began writing with serious intent in her teens. She wrote in her journal in 1877, "What a pleasure and interest it would be to me in life to write books. I must strike out a line of some kind, and if I do not marry (for at best that is hardly likely, as I possess neither beauty nor charms) I should want some definite occupation, besides the home duties." She succeeded in publishing some stories in The Graphic and elsewhere. Her first novel was The Danvers Jewels (1887), a detective story that won her a small following. It appeared in the Temple Bar magazine published by Richard Bentley, after fellow novelist Rhoda Broughton had introduced her to George Bentley. It was followed by Sir Charles Danvers (1889), Diana Tempest (1893) and A Devotee (1897).
The satirical Red Pottage (1899) was a best-seller on both sides of the Atlantic and is reprinted occasionally. It satirizes religious hypocrisy and the narrowness of country life and was denounced from a London pulpit as immoral. It was equally sensational because it "explored the issues of female sexuality and vocation, recurring topics in late-Victorian debates about the New Women." Despite the book's great success, however, the author received little money for it because she had sold the copyright.
