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The conclusion of a radically philosophical and personal series of Fanny Howe novels animated by questions of race, spirituality, childhood, transience, resistance, and poverty.First published by Semiotexte in 2001,
Indivisible concludes a radically philosophical and personal series of Fanny Howe novels animated by questions of race, spirituality, childhood, transience, wonder, resistance, and poverty. Depicting the tempestuous multiracial world of artists and activists who lived in working-class Boston during the 1960s,
Indivisible begins when its narrator, Henny, locks her husband in a closet so that she might better discuss things with God. On the verge of a religious conversion, Henny attempts to make peace with the dead by telling their stories.
About the author
Fanny Howe; introduction by Eugene Lim
Summary
The conclusion of a radically philosophical and personal series of Fanny Howe novels animated by questions of race, spirituality, childhood, transience, resistance, and poverty.
First published by Semiotexte in 2001, Indivisible concludes a radically philosophical and personal series of Fanny Howe novels animated by questions of race, spirituality, childhood, transience, wonder, resistance, and poverty. Depicting the tempestuous multiracial world of artists and activists who lived in working-class Boston during the 1960s, Indivisible begins when its narrator, Henny, locks her husband in a closet so that she might better discuss things with God. On the verge of a religious conversion, Henny attempts to make peace with the dead by telling their stories.
Additional text
“In an age when many American artists and writers seem focused on projecting an aura of glib certitude, Fanny embraces radical indeterminacy. Reading her fiction feels something like facing a patch of wilderness--startling, beautiful, yet terrifyingly mysterious. Themes such as race and class, poverty and theology, women and oppression, are not merely explored, they are exploded.” —Kim Jensen, Bomb
