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List of contents
Introduction: The Master of Understatement, or Remembering Schermaier
Stephen Dowden (Brandeis University, USA)
1. The Afterlife of Thomas Bernhard in Contemporary Austrian Literature
Katya Krylova (University of Aberdeen, UK)
2. How Not to Begin: Wrestling with Thomas Bernhard
Kata Gellen (Duke University, USA)
3. Bernhard, Sebald, and Photography in Holocaust Memory
Agnes Mueller (University of South Carolina, USA)
4. Radical Style: Bernhard, Sontag, Kertész
Stephen Dowden (Brandeis University, USA)
5. The Stains of Cultural Inheritance: Thomas Bernhard and Philip Roth
Byron Spring (Lincoln College, University of Oxford, UK)
6. Gaddis before Bernhard before Gaddis
Martin Klebes (University of Oregon, USA)
7. Thomas Bernhard, a Writer for Spain
Heike Scharm (University of South Florida, USA)
8. Immersions into Bernhard’s Works in Recent Francophone Literature
Olaf Berwald (Kennesaw State University, USA)
9. Thomas Bernhard's Influence on Gabriel Josipovici's Monologue Novels
Gregor Thuswaldner (Whitworth University, USA)
10. Thomas Bernhard, Italo Calvino, Elena Ferrante, and Claudio Magris: From Postmodernism to Anti-Semitism
Saskia Elizabeth Ziolkowski (Duke University, USA)
11. Thomas Bernhard's Extinction: Variations/Variazioni/Variaciones
Juliane Werner (University of Vienna, Austria)
Notes on Contributors
Bibliography
Index
About the author
Olaf Berwald is Chair of the Department of World Languages & Cultures and Professor of German at Kennesaw State University, USA. His most recent book is A Companion to the Works of Max Frisch (2013).Stephen Dowden is Professor of German Literature at Brandeis University, USA. He is the author of four books, including Kafka’s Castle and the Critical Imagination (1995), and the editor or co-editor of four more, including Tragedy and the Tragic in German Literature, Art, and Thought (2014; co-edited with Thomas P. Quinn). His most recent study is entitled Modernism and Mimesis (2020).Gregor Thuswaldner is Provost and Executive Vice President at Whitworth University in Spokane, Washington, USA. His most recent book is The Hermeneutics of Hell: Visions and Representations of the Devil in World Literature (2017).
Summary
In his prose fiction, memoirs, poetry, and drama, Thomas Bernhard (1931-1989)--one of the 20th century’s most uniquely gifted writers--created a new and radical style, seemingly out of thin air. His books never “tell a story” in the received sense. Instead, he rages on the page, he rants and spews vitriol about the moral failures of his homeland, Austria, in the long amnesiac aftermath of the Second World War.
Yet this furious prose, seemingly shapeless but composed with unparalleled musicality, and taxing by conventional standards, has been powerfully echoed in many writers since Bernhard’s death in 1989. These explorers have found in Bernhard’s singular accomplishment new paths for the expression of life and truth.
Thomas Bernhard's Afterlives examines the international mobilization of Bernhard’s style. Writers in Italian, German, Spanish, Hungarian, English, and French have succeeded in making Bernhard’s Austrian vision an international vision. This book tells that story.
Foreword
Explores and assesses the impact of Thomas Bernhard on writers around the world since his death in 1989.
Additional text
In this insightful volume, we learn about the many ways in which authors across the globe have sought to emulate the great Thomas Bernhard (1931-1989), from 'anticipatory plagiarism' to 'coinhabiting palimpsests.' Writers like Susan Sontag, W.G. Sebald, Geoff Dyer, Imre Kertész, Italo Calvino, and Horacio Castellanos Moya have turned to the brilliantly querulous Austrian to pursue their own political or aesthetic projects. Their takings have been devious, inclusive, maddening, profound, liberating. There are numerous avenues still to pursue with Bernhard, and this volume explores one fruitful possibility.
