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Informationen zum Autor Gordon McMullan is a professor of English at King's College London, UK. Kelly Stage is Associate Professor of English and Director the Medieval and Renaissance Studies Program at the University of Nebraska-Lincoln, USA. Her recent publications include Producing Early Modern London: A Comedy of Urban Space, 1598-1616 (2018) and new edition of Thomas Middleton and Thomas Dekker's The Roaring Girl (2019). ANN THOMPSON is Emeritus Professor in English at King' s College London UK. LENA COWEN ORLIN is Professor of English at Georgetown University, USA, Washington DC, and Executive Director of the Shakespeare Association of America. Vorwort A collection of essays addressing the current state of criticism of Middleton and Rowley’s revenge tragedy The Changeling and offering striking new readings of the play and its contexts. Zusammenfassung This collection of original essays on Thomas Middleton and William Rowley’s unsettling revenge tragedy The Changeling represents key new directions in criticism and research. The 13 chapters fall into six groups focusing on questions of space, theology, collaboration, disability both mental and physical, and performance both early modern and contemporary. The Changeling ’s critical and theatrical history, and a selected bibliography for the volume helps readers easily find the most frequently cited materials in the volume as a whole, while individual essays detail the full expanse of critical sources to pursue for further analysis. With contributors ranging from highly regarded critics to emerging scholars drawn from the United States, the United Kingdom, Canada, France and Switzerland, the collection equips readers to engage with a variety of critical approaches to the play, moving a long way beyond the last century’s tendency to treat Middleton as ‘the early modern Ibsen’, to ignore Rowley, and to focus almost wholly on a single aspect of the play’s plot. Key themes and topics include: · Performance · Space and affect· Authorial collaboration· Gender and representation· Violence· Disability Inhaltsverzeichnis List of Illustrations Notes on Contributors Preface Series Preface Introduction Kelly Stage (University of Nebraska-Lincoln, USA) and Gordon McMullan (King's College London, UK) Part One Spaces and Places 1 Space, Gender and the Rules of Movement in The Changeling Jean E. Howard (Columbia University, USA)2 Chang(el)ing Spaces: Dramatic Forms of Worlding in Late Jacobean England Ina Habermann (University of Basel, Switzerland) Part Two Collaboration and the Hospital Plot 3 A Secret Within the Castle: William Rowley and The Changeling David Nicol (Dalhousie University, Canada)4 Isabella Douglas Bruster (University of Texas at Austin, USA) Part Three States of Mind 5 ‘The Pleasure of Your Bedlam’: Mismanaging Insanity in The Changeling Pascale Drouet (University of Poitiers, France)6 Passions, Affections and Instinct in The Changeling Jesse Lander (University of Notre Dame, USA) Part Four Disabilities 7 The Changeling ’s Phantom Limbs Karen Sawyer Marsalek (St Olaf College, USA)8 Disability Representation and Theatrical Form in The Changeling and The Nice Valour Katherine Schaap Williams (University of Toronto, Canada) Part Five Actor and Audience in Jacobean Performance 9 The Changeling , The Boy Actor and Female Subjectivity Lucy Munro (King's College London, UK)10 Witnessing at the Phoenix: Early Modern Audiences at The Changeling Jennifer A. Low (Florida Atlantic University, USA) Part Six Rape and the Female Body in Contemporary Performance 11 ‘What Would a Foreign Woman Be?’: Sexual Borderlands, Hospitality, and ‘Forgetting Parentage’ in The Changeling on Film Courtney Lehmann (University of the Pacific,...
