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Drawing on O'Brien's experience of cancer and of childhood abuse, and on his ongoing collaboration with a war reporter, the four essays in
A Story that Happens-first written as craft lectures for the Sewanee Writers' Conference and the US Air Force Academy-offer hard-won insights into what stories are for and the reasons why, "afraid and hopeful," we begin to tell them.
About the author
Dan O’Brien is a playwright, poet, librettist, and essayist whose recognition includes a Guggenheim Fellowship in Drama & Performance Art and the UK’s Fenton Aldeburgh Poetry Prize.
True Story: A Trilogy of O’Brien’s plays was published by Dalkey Archive Press in 2023, and in 2021 his collection of essays,
A Story That Happens: On Playwriting, Childhood, & Other Traumas, was published by Dalkey Archive in the US and by CB Editions in the UK. His poetry collections are
Survivor’s Notebook, Our Cancers, New Life, Scarsdale, and
War Reporter. His plays include
The Body of an American, winner of the PEN USA Award, the Edward M. Kennedy Prize, and the Horton Foote Prize, and
The House in Scarsdale, winner of a PEN America Award. He lives in Los Angeles with his wife, the actor and writer Jessica St. Clair, and their daughter Isobel.
Summary
Drawing on O’Brien’s experience of cancer and of childhood abuse, and on his ongoing collaboration with a war reporter, the four essays in A Story that Happens—first written as craft lectures for the Sewanee Writers’ Conference and the US Air Force Academy—offer hard-won insights into what stories are for and the reasons why, "afraid and hopeful," we begin to tell them.
Foreword
•PROMOTIONAL COPIES: over 300 copies will be sent to booksellers and reviewers across the country
•STRONG MEDIA CAMPAIGN: Dalkey will promote on all social media channels
•EBOOK AVAILABLE: Ebook will be mentioned on all press release materials, Dalkey website, etc.
Additional text
"This is a book for our times. It reminds us that theatre is 'fractured and failing yet struggling towards the mouth’s translation of the heart’s tongue.' Like [O’Brien], we buzz with the desire for the 'chance for more life, and for that most valued of theatrical currencies—change'."—Alice Jolly, Times Literary Supplement
"Part memoir, part philosophy, part pragmatic advice for young writers, [these essays] read like a master class in surviving through art."—Los Angeles Times
"All the essays were written during the tumultuous Trump years, a period of bombastic rage, where the truth was not only clouded but disrespected . . . O'Brien does an unforgettable job accompanying the reader through the prism of his life experiences, offering more than mere lessons." —Jonas Schwartz-Owen, Broadway World
