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SHORTLISTED FOR THE POETRY PIGOTT PRIZE IN ASSOCIATION WITH LISTOWEL WRITERS' WEEK
The hard-hitting new poetry collection from 'Ireland's most ingenious poet' (Telegraph).
'Very few poets, living or otherwise, can combine high-speed wit, tongue-twisting alliteration and dizzying rhyme with the kind of insight that makes us pause, laugh, remember; feel envious, out of breath, punch-drunk.' Kit Fan, Guardian
A 'howdie-skelp' is the slap in the face a midwife gives a newborn. It's a wake-up call. A call to action. The poems in Paul Muldoon's striking new collection include a nightmarish remake of The Waste Land, an elegy for his fellow Northern Irish poet Ciaran Carson, a crown of sonnets that responds to the early days of the Covid-19 pandemic, a translation from the ninth-century Irish, and a Yeatsian sequence of ekphrastic poems that call into question the very idea of an 'affront' to good taste. Paul Muldoon is a poet who continues not only to capture, but to hold our attention.
About the author
Paul Muldoon is the author of fifteen collections of poetry, including Moy Sand and Gravel, for which he received the 2003 Pulitzer Prize for Poetry. Among his other awards are the 1994 T. S. Eliot Prize, the 2003 Griffin Prize, the 2015 Pigott Prize, and the 2017 Queen's Gold Medal for Poetry. Born in County Armagh in 1951, he has lived since 1987 in the United States, where he is the Howard G. B. Clark Professor in the Humanities, Emeritus, at Princeton University. In 2022, he was appointed Ireland Professor of Poetry.
Summary
The hard-hitting new poetry collection from 'Ireland's most ingenious poet' (Telegraph).
Foreword
A 'howdie-skelp' is the slap in the face a midwife gives a newborn. It's a wake-up call. A call to action. The poems in Paul Muldoon's striking new collection include a nightmarish remake of The Waste Land, an elegy for his fellow Northern Irish poet Ciaran Carson, a crown of sonnets that responds to the early days of the Covid-19 pandemic, a translation from the ninth-century Irish, and a Yeatsian sequence of ekphrastic poems that call into question the very idea of an 'affront' to good taste. Paul Muldoon is a poet who continues not only to capture, but to hold our attention.
Report
Very few poets, living or otherwise, can combine high-speed wit, tongue-twisting alliteration and dizzying rhyme with the kind of insight that makes us pause, laugh, remember; feel envious, out of breath, punch-drunk. Kit Fan Guardian
