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'Deeply humane, quietly devastating, mesmerisingly beautiful.' Olivia Sudjic
'Haunting, irresistible.' Brandon Taylor
'Marvelous.' Lauren Groff
A student moves to the city to research Gothic nudes, renting an apartment from a painter, Agnes, who lives in another town with her husband. One day, Agnes arrives in the city and settles into the upstairs studio.
In their meetings on the stairs, in the studio, at the corner café, the kitchen at dawn, Agnes tells stories of her youth, her family, her marriage, and ideas for her art - which is always just about to be created. As the months pass, it becomes clear that Agnes might not have a place to return to. The student is increasingly aware of Agnes's disintegration. Her stories are frenetic; her art scattered and unfinished, white paint on a white canvas.
What emerges is the menacing sense that every life is always at the edge of disaster, no matter its seeming stability.
White on White is a sharp exploration of empathy and cruelty, and the stunning discovery of what it means to be truly vulnerable, and laid bare.
'Gentle, mysterious and profound.' Marina Abramovic
About the author
Aysegül Savas is the author of
Walking on the Ceiling. Her work has appeared in
The New Yorker,
The Paris Review,
Granta, and elsewhere. Originally from Istanbul, she lives in Paris.
Summary
One day, Agnes arrives in the city and settles into the upstairs studio. In their meetings on the stairs, in the studio, at the corner café, the kitchen at dawn, Agnes tells stories of her youth, her family, her marriage, and ideas for her art - which is always just about to be created.
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A deeply humane, quietly devastating, mesmerisingly beautiful masterpiece. Olivia Sudjic
