Read more
About the author
Annachiara Mariani is an assistant professor of Italian. She received her Laurea (BA-MA) in foreign languages and literatures from the Università di Bologna and her Ph.D in Italian from Rutgers University. Her research interests are in Italian cinema, National and Trans-National media studies, and Italian theatre. She has authored a book on the Grotesque Theatre and Pirandello (2013). She has also published numerous articles, essays, film reviews, book reviews on Italian Theatre, Cinema, and the interrelation between cinema and literature. She has recently published a special edition of the journal of Italian cinema and media studies on Sorrentino’s films and TV series. She is currently working on a book-length project on today’s portrayal of the Italian Renaissance through popular culture and television series
Flavia Laviosa is senior lecturer in the Department of Italian Studies at Wellesley College. Her research interests are in Italian women filmmakers. She is the founder and editor in-chief of the Journal of Italian Cinema & Media Studies and the book series Trajectories. She has authored chapters in the volumes He Was My Father (Peter Lang, 2018) (edited by S. Gastaldi and D. Ward), The Italian Cinema Book (BFI, 2014) (edited by P. Bondanella), A New Italian Political Cinema? Emerging Themes (Troubadour, 2013) (edited by W. Hope) and Popular Italian Cinema and Politics in a Postwar Society (Bloomsbury, 2011) (edited by F. Brizio-Skov), and written articles published in the Journal of Mediterranean Studies, Studies in European Cinema, JOMEC, Rivista di Studi Italiani, Italica and Incontri: Rivista Europea di Studi Italiani. She has also guest-edited the Special Issue of SEC, ‘Cinematic Journeys of Italian Women Directors’ (8:2, 2011) and edited the volume Visions of Struggle in Women’s Filmmaking in the Mediterranean (Palgrave Macmillan, 2010).
Contact: Department of Italian Studies, Wellesley College, 106 Central Street, Wellesley, MA 02481, USA.
Summary
New edited collection with a transnational perspective on Paolo Sorrentino, the award-winning Italian director and screenwriter. International contributors take diverse approaches to examine the dominant themes in his work – melancholy, nostalgia and the relationship with solitude - and present original interpretations. 35 b/w illus.
