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The Girl with the Dragon Tattoo and Philosophy probes the compelling philosophical issues behind the entire Millennium trilogy. What philosophies do Lisbeth Salander and Kant have in common? To catch a criminal, can Lisbeth and Mikael be criminals themselves? Can revenge be ethical? Drawing on some of history's greatest philosophical minds, this book gives fresh insights into Larsson's ingeniously plotted tale of crime and corruption. ● Looks at compelling philosophical issues such as a feminist reading of Lisbeth Salander, Aristotelian arguments for why we love revenge, how Kant can explain why so many women sleep with Mikael Blomkvist, and many more ● Includes a chapter from a colleague of Larsson's that explores Larsson's philosophical views on skepticism and quotes from never-before-seen correspondence with Larsson ● Offers new insights into the novels' key characters and investigates the author As engrossing as the quest to free Lisbeth Salander from her past,
The Girl with the Dragon Tattoo and Philosophy is a must-listen for anyone interested in unraveling the subtext and exploring the greater issues at work in the story.
About the author
William Irwin is Herve A. LeBlanc Distinguished Service Professor and Chair of Philosophy at King's College, Pennsylvania. Irwin's latest book is The Free Market Existentialist: Capitalism without Consumerism (2015). Irwin's first book, Intentionalist Interpretation: A Philosophical Explanation and Defense (1999), was nominated for the American Philosophical Association Young Scholar's Book Prize. Irwin is best known for having originated the philosophy and popular culture genre of books with Seinfeld and Philosophy (1999), The Simpsons and Philosophy (2001), and The Matrix and Philosophy (2002). He was editor of these books and then General Editor of the Popular Culture and Philosophy Series through Open Court Publishing. In 2006, Irwin left Open Court to become the General Editor of The Blackwell Philosophy and Pop Culture Series, which includes Metallica and Philosophy (2007)and Black Sabbath and Philosophy (2012), among other volumes. Irwin first theorized the philosophy and pop culture genre in his article Philosophy as/and/of Popular Culture in Irwin and Gracia eds. Philosophy and the Interpretation of Popular Culture (2006).
