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“We may not meet to-morrow; who can tell / What mighty ills befall our little band, / Or what you’ll suffer from the white man’s hand?” In these dramatic monologues and lyrical invocations of Canada’s wilderness, E. Pauline Johnson employs English verse to not only explore her Mohawk heritage, but to lend her voice to the plight of all persecuted peoples.
About the author
E. Pauline Johnson (1861-1913) was a Canadian poet and actress. Also known by her stage name Tekahionwake, Johnson was born to an English mother and a Mohawk father in Six Nations, Ontario. Johnson suffered from illness as a child, keeping her from school and encouraging her self-education through the works of Longfellow, Tennyson, Browning, Byron, and Keats. Despite the racism suffered by Canada's indigenous people, Johnson was encouraged to learn about her Mohawk heritage, much of which came from her paternal grandfather John Smoke Johnson, who shared with her and her siblings his knowledge of the oral tradition of their people. In the 1880s, Johnson began acting and writing for small theater productions, finding success in 1892 with a popular solo act emphasizing her duel heritage. In these performances, Johnson would wear both indigenous and Victorian English costumes, reciting original poetry for each persona. As a poet, she wrote prolifically for such periodicals as
Globe and
Saturday Night, publishing her first collection,
The White Wampum, in 1895. Her death at the age of 52 prompted an outpouring of grief and celebration in Canada; at the time, Johnson's funeral was the largest in Vancouver history, attracting thousands of mourners from all walks of life.
