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A wide-sweeping concert/play structured in seven movements that explores the questions and limits (?) of blackness, performance, and country in a sensuous and reflective cabaret experience.
About the author
Jillian Walker writes and performs sacred texts for the theatre. Her work has taken the form of plays, musicals, lecture-sermon-concert gatherings, and self-reflective space for remembrance and liberation. She draws deeply on her training as a dramaturg (MFA Columbia), Black Spiritual wisdom, and the ongoing work of Black feminist thinkers to bring process-driven performance to life. Some of her work(ings) include SKiNFoLK: An American Show, co-presented by The Bushwick Starr and National Black Theatre (NY Times Critics’ Pick, Kilroys List, Antonyo Award), Sarah’s Salt., and Songs of Speculation. Jillian is currently co-conspiring with The TEAM as a writer/performer on Reconstruction, and Soho Rep., where she is the 2020-21 Tow Playwright-in-Residence and a member of groundbreaking cohort, Project Number One. She is a 2020 Lilly Award recipient who also enjoys co-conspiring with the readers of her monthly newsletter, The Free List. www.thisisjillianwalker.com.
Summary
A wide-sweeping concert/play structured in seven movements that explores the questions and limits (?) of blackness, performance, and country in a sensuous and reflective cabaret experience.
Additional text
"A buoyant experimental cabaret of Black womanhood."
