Fr. 38.50

The Duchess Countess - The Woman Who Scandalized Eighteenth-Century London

English · Hardback

Shipping usually within 6 to 7 weeks

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This "scintillating story superbly told" (The Times, London) explores the adventurous life of the stylish and scandalous Elizabeth Chudleigh, Duchess of Kingston—a woman whose infamous trial was bigger news in British society than the American War of Independence—and provides a clear-eyed and fascinating look into the sumptuous Georgian Era.

As maid of honor to the Princess of Wales, Elizabeth Chudleigh enjoyed a luxurious life in the inner circle of the Hanoverian court. With her extraordinary style and engaging wit, she both delighted and scandalized the press and public. She would later even inspire William Thackeray when he was writing his classic Vanity Fair, providing the inspiration for the alluring social climber Becky Sharp. But Elizabeth's real story is more complex and surprising than anything out of fiction.

A clandestine, candlelit wedding to the young heir to an earldom, a second marriage to a duke, a lust for diamonds, and an electrifying appearance at a masquerade ball in a gossamer dress—it's no wonder that Elizabeth's eventual trial was a sensation. Charged with bigamy, an accusation she vehemently fought against, Elizabeth refused to submit to public humiliation and retire quietly.

"A superb, gripping, decadent, colorful biography that brings an extraordinary woman and a whole world blazingly to life" (Simon Sebag Montefiore, New York Times bestselling author), The Duchess Countess is perfect for fans of Bridgerton, Women of Means, and The Crown.

About the author

Catherine Ostler is an author and journalist who has been editor-in-chief of Tatler, the Evening Standard (London), and editor of The Times (London) Weekend Edition. She has also written for a wide range of publications, including Vogue, Daily Mail (London), and Newsweek. She read English at Oxford University, specializing in literature.

Additional text

“The book’s spritely, wry tone is a pleasure to read throughout. In the early chapters, it felt cinematic almost to a fault: a quantity of costume and other visual detail that would make a historical adviser redundant on any screen adaptation.” —TLS

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