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In the mid-1970s Sylvère Lotringer created Semiotext(e), a philosophical group that became a magazine and then a publishing house. Since its creation Semiotext(e) has been the place for stimulating dialogue between artists and philosophers, and American artistic and intellectual life for the past fifty years has largely depended on it. The model of the journal and the publishing house revolves essentially around the notion of the collective, and its creator Sylvère Lotringer has rarely divulged his personal journey: his existence as a hidden child during the Second World War; the liberating and then traumatic experience of the collective in the kibbutz; his Parisian activism in the 1960s; his time of wandering, which took him by way of Istanbul to the United States; and then of course his American years, the way he mingled his nightlife with the formal experimentation he invented with Semiotext(e) and his classes.
Since the early 2010s Donatien Grau has developed the habit of visiting Sylvère Lotringer during his trips to Los Angeles; some of their dialogues were published or held in public. We are given an entry into Sylvère Lotringer's life, his friendships, his choices, his admiration for some of the leading thinkers of our times. The conversations show bursts of life, traces of a journey, through texts and existence itself, with an unusual intensity.
List of contents
7 - 36 Beginnings (Donatien Grau, Sylvère Lotringer)37 - 49 Nietzsche-Cage (Donatien Grau, Sylvère Lotringer)51 - 70 Interviews and Politics (Donatien Grau, Sylvère Lotringer)71 - 84 Anatomy of Subversion (Donatien Grau, Sylvère Lotringer)85 - 94 "Scenes and Stages": On Pierre Guyotat (Donatien Grau, Sylvère Lotringer)
About the author
Donatien Grau ist derzeit Head of Contemporary Programs am Musée d'Orsay, Paris, und Vorsitzender der Association Pierre Guyotat. Er ist Herausgeber und Autor mehrerer Bücher. Zuletzt erschien sein Buch über Leben und Werk Azzedine Alaïas (Actes Sud, 2020) und
Living Museums. Conversations with Leading Museum Directors (Hatje Cantz, 2020).
