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'I was born as part of a monstrous structure - the grotesque, hideous, ugly, ghastly, gruesome, horrible relations of power that constituted colonial Britain. A structure that shaped me, that shapes the very language that I speak and use and love. I am the daughter of an empire that declared itself the natural order of the world.'From award-winning writer and critic Alison Croggon, Monsters takes as its point of departure the painful breakdown of a relationship between two sisters. It explores how our attitudes are shaped by the persisting myths that underpin colonialism and patriarchy, how the structures we are raised within splinter and distort the possibilities of our lives. Monsters asks how we maintain the fictions that we create about ourselves, what we will sacrifice to maintain these fictions - and what we have to gain by confronting them.
About the author
Alison Croggon is an award-winning novelist, poet, theatre writer, critic, and editor. Born in South Africa, she has lived in the UK and is now based in Melbourne, Australia.
Summary
‘I was born as part of a monstrous structure — the grotesque, hideous, ugly, ghastly, gruesome, horrible relations of power that constituted colonial Britain. A structure that shaped me, that shapes the very language that I speak and use and love. I am the daughter of an empire that declared itself the natural order of the world.’
From award-winning writer and critic Alison Croggon, Monsters takes as its point of departure the painful breakdown of a relationship between two sisters. It explores how our attitudes are shaped by the persisting myths that underpin colonialism and patriarchy, how the structures we are raised within splinter and distort the possibilities of our lives. Monsters asks how we maintain the fictions that we create about ourselves, what we will sacrifice to maintain these fictions — and what we have to gain by confronting them.
Additional text
‘With Monsters, [Croggon] tackles one of contemporary literature’s most electric (and eclectic) forms — a kind of glorious literary mutant that braids socio-cultural contemplation and memoir; anchoring high-theory with visceral intimacy. She joins a sorority of glittering thinkers … whose work mimics what it feels like to stretch an idea out in your brain. True to type, Monsters is digressive, kaleidoscopic, and alive with questions.’
