Beethoven's String Quartet in C-Sharp Minor, Op. 131

In Beethoven's String Quartet in C-sharp Minor, Op. 131, author Nancy November provides an analysis of Beethoven's Op. 131, illuminated by excerpts from a range of sound recordings, geared towards allowing the reader to access earlier modes of listening and interpretation. The book's well-rounded and multifaceted approach blends mainstream, traditional scholarship with popular media.

List of contents

• 1. Re-hearing Op. 131


• 2. The early and popular reception of Op.131


• 3. "A new kind of part writing"


• 4. "Like an overly large fantasy"


• 5. Op. 131 and the Rise of Attentive Listening

About the author

Nancy November is an Associate Professor in musicology at the University of Auckland. Combining interdisciplinarity and cultural history, her research continues to center on chamber music of the late eighteenth and nineteenth centuries, probing questions of historiography, canonization, and genre. She is the recipient of a Humboldt Fellowship; and two Marsden Grants from the New Zealand Royal Society.

Summary

In Beethoven's String Quartet in C-sharp Minor, Op. 131, author Nancy November provides an analysis of Beethoven's Op. 131, illuminated by excerpts from a range of sound recordings, geared towards allowing the reader to access earlier modes of listening and interpretation. The book's well-rounded and multifaceted approach blends mainstream, traditional scholarship with popular media.

Additional text

Nancy November breaks open the discourse on fragmentation versus unity in Op. 131 with a new interpretive approach that focuses on the special relationship between work, performer, and audience, conceiving Beethoven's composition as a large-scale fantasy that requires sustained, attentive listening. With her thought-provoking view of Op. 131, November undoubtedly offers a welcome enrichment to research on Beethoven's late work.

Product details

• Authors: Nancy November, Nancy (Associate Professor in Musicology November, November Nancy
• Publisher: Oxford University Press
• Languages: English
• Product format: Paperback / Softback
• Released: 31.07.2021
• EAN: 9780190059217
• ISBN: 978-0-19-005921-7
• No. of pages: 160
• Dimensions: 140 mm x 210 mm x 10 mm
• Series: The Oxford Keynotes Series; Oxford Keynotes
• Subjects: Humanities, art, music > Music > General, dictionaries; MUSIC / History & Criticism, MUSIC / Individual Composer & Musician, MUSIC / Genres & Styles / Classical, MUSIC / Genres & Styles / Chamber, Theory of music & musicology, Music reviews & criticism, Music reviews and criticism, Art music, orchestral and formal music, Theory of music and musicology, Western "classical" music