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This book covers the history of intervention theory, initial research including interviews with thirty professional artists, curators, and administrators, working in Australia, New Zealand, and the United States with narratives that reflected both the prevalence of, and the inherent opacity within, curatorial intervention.
About the author
Brett M. Levine is a curator, writer, and editor who explores the intersections between intentionality, interventionality, and reception. Formerly the director of Lopdell House Gallery, Auckland, and team leader, collection programs at the Dowse Art Museum, Wellington, Levine's curatorial projects explore questions of representation, identity, and perception with an emphasis on installation, time-based media, and experimental practices. His writings have appeared in Art New Zealand, Object, Urbis, and Art Papers, as well as in monographs on Brad Buckley, and Ross T. Smith. Levine lives and works in Birmingham, Alabama
Summary
This book covers the history of intervention theory, initial research including interviews with thirty professional artists, curators, and administrators, working in Australia, New Zealand, and the United States with narratives that reflected both the prevalence of, and the inherent opacity within, curatorial intervention.
