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Zusatztext Ana G. María Laguna’s new book ... accomplishes several rather complex tasks: it closes historical gaps and misunderstandings surrounding Cervantes’s historiography by exposing the political manipulation of his figure and literature; it vindicates the role of the progressive writers associated with the Generation of 1927 as custodians of the serious analytical approach to Cervantes’s work; and it demonstrates their struggle to keep that duty while adapting to their new life as exiles in the Americas. … [This book] ultimately help[s] us all understand the importance of questioning the official record, so that the voices that fought (and are fighting) to be heard are heard no matter who is in power, because, like she so eloquently writes, “the past is not free from the present”. Informationen zum Autor Ana María G. Laguna is Professor of Spanish and Golden Age Literature at Rutgers University-Camden, USA. She is also an Executive Member of the Cervantes Society of America and Associate Editor of their bulletin, Cervantes . She is the author of Cervantes and the Pictorial Imagination (2009) and co-editor (with John Beusterien) of the collected volume Goodbye Eros: Recasting Forms and Norms of Love in the Age of Cervantes (forthcoming in 2020). Her research explores the relationship among literature, politics, and the visual arts, focusing on how literature reflects prominent artistic and socio-political anxieties. As a comparatist critic, she relates visual and verbal domains, multiple national traditions, and disparate chronologies, producing scholarship that expands the scope and impact of Spanish literary study. Zusammenfassung Studies that connect the Spanish 17th and 20th centuries usually do so through a conservative lens, assuming that the blunt imperialism of the early modern age, endlessly glorified by Franco’s dictatorship, was a constant in the Spanish imaginary. This book, by contrast, recuperates the thriving, humanistic vision of the Golden Age celebrated by Spanish progressive thinkers, writers, and artists in the decades prior to 1939 and the Francoist Regime. The hybrid, modern stance of the country in the 1920s and early 1930s would uniquely incorporate the literary and political legacies of the Spanish Renaissance into the ambitious design of a forward, democratic future. In exploring the complex understanding of the multifaceted event that is modernity, the life story and literary opus of Miguel de Cervantes (1547-1616) acquires a new significance, given the weight of the author in the poetic and political endeavors of those Spanish left-wing reformists who believed they could shape a new Spanish society. By recovering their progressive dream, buried for almost a century, of incipient and full Spanish modernities, Ana María G. Laguna establishes a more balanced understanding of both the modern and early modern periods and casts doubt on the idea of a persistent conservatism in Golden Age literature and studies. This book ultimately serves as a vigorous defense of the canonical as well as the neglected critical traditions that promoted Cervantes’s humanism in the 20th century. Inhaltsverzeichnis List of Figures Preface Acknowledgments Introduction: A Tale of Two Modernities 1. Mining the Golden Age: The Spanish Avant-Garde and Visions of Modernity 2. The Empire Strikes Back: Cervantes, Enemy of the State 3. A Generational Shift: Riding Away from the Empire4. Anachronism as Weapon and Resistance (Quixotes Left and Right)5. Post Tenebras Spero Lucem : Attempts at Counter-Colonial Modernity in ExileEpilogue: Humanism Suspended—The Reverberations of Silence Notes ReferencesIndex ...
