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London, Burning is a novel about the end of the 1970s, and the end of an era. It concerns a nation divided against itself, a government trembling on the verge of collapse, a city fearful of what is to come, and a people bitterly suspicious of one another. In other words, it is also a novel about now.
Vicky Tress is a young policewoman on the rise who becomes involved in a corruption imbroglio with CID. Hannah Strode is an ambitious young reporter with a speciality for skewering the rich and powerful. Callum Conlan is a struggling Irish academic and writer who falls in with the wrong people. While Freddie Selves is a hugely successful theatre impresario stuck deep in a personal and political mire of his own making. These four characters, strangers at the start, happen to meet and affect the course of each other's lives profoundly. As the clock ticks down towards a general election old alliances totter and the new broom of capitalist enterprise threatens to sweep all before it. It is funny and dark, violent but also moving.
'Skilfully plotted and written with a rare elegance, sinuous wit and even optimism'
Financial Times
'[A] marvellous new novel . . . This master storyteller recreates the whole world of the 70s, as the London we used to know is about to change for ever'
i newspaper
About the author
Anthony Quinn was born in Liverpool in 1964. From 1998 to 2013 he was the film critic for the Independent. His novels include The Rescue Man, which won the 2009 Authors' Club Best First Novel Award; Half of the Human Race; The Streets, which was shortlisted for the 2013 Walter Scott Prize; Curtain Call, soon to be a feature film starring Ian McKellen and Gemma Arterton; Freya, Eureka, Our Friends in Berlin and London, Burning. He also wrote the recent Liverpool memoir Klopp.
Summary
A funny, dark and moving novel about London, the end of the 1970s, and the end of an era, from the masterful author of Curtain Call, Freya and Our Friends in Berlin.
Foreword
A funny, dark and moving novel about London, the end of the 1970s, and the end of an era, from the masterful author of Curtain Call, Freya and Our Friends in Berlin.
Additional text
Peopled by the kind of strong, fully realised individuals whom you could easily identify in a crowd, it is skilfully plotted and written with a rare elegance, sinuous wit and even optimism. It is a deeply satisfactory read
