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'The most imposing presence is Edward Prince of Wales, more commonly known as the Black Prince. If you like your statues old-school, this is as good as it gets. Way up on a lofty plinth, a man on a horse with a big sword. They don't make 'em like that any more. If only they did. Ed Sheeran on a horse with a big sword? The campaign starts here.'
About the author
ROGER LYTOLLIS is the author of Panic as Man Burns Crumpets: The Vanishing World of the Local Journalist and On a Pedestal: A Trip Around Britain's Statues. Since 1995 Roger has been a feature writer and columnist for some of the UK's best local newspapers. He's a three-time winner at the Regional Press Awards. And a twelve-time loser at the North West Media Awards. He isn't bitter about that at all. Roger lives in Cumbria. Twitter: @rogerlytollis
Summary
This is a book for people who are interested in statues . . . and for people who aren't. It explores those immortalised in marble and bronze - and what the rest of us think about them.
As Roger Lytollis travels Britain he encounters a man at Liverpool's Beatles statue convinced that Rod Stewart was in the Fab Four. In Edinburgh he walks into a row over Greyfriars Bobby's nose and in Glasgow learns why the Duke of Wellington wears a traffic cone on his head. London brings a controversial nude statue and some hard truths about racism.
Elsewhere, Roger sees people dancing with Eric Morecambe, finds a statue being the backdrop to a marriage proposal and, everywhere he goes, pigeons. Always pigeons . . .
On a Pedestal is the first book to examine public statues around the nation. It looks at their emergence into our culture wars; the trend for portraying musicians, sports stars and comedians rather than monarchs, politicians and generals; the amazing tales of many of those commemorated on our streets.
It also features interviews with sculptors, including Sir Antony Gormley, telling the stories behind some of our most popular modern statues.
Part history book, part travelogue, On a Pedestal brings statues to life. Informative and entertaining, it's a book that - ultimately - is more about blood than bronze.
Foreword
This is a book for people who are interested in statues . . . and for people who aren't. It explores those immortalised in marble and bronze - and what the rest of us think about them.
