Fr. 236.00

Speaking Politically - Adorno and Postcolonial Fiction

English · Hardback

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Description

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In this monograph Theodor Adorno's philosophy engages with postcolonial texts and authors that emerge out of situations of political extremity - apartheid South Africa, war-torn Sri Lanka, Pinochet's dictatorship, and the Greek military junta.

List of contents










Introduction: "Speaking Politically, Not Politics"
Chapter 1: Coetzee's Life and Times of Michael K and an Alternative Political Commitment
Chapter 2: Márquez's Chronicle of a Death Foretold and its Quiet Politics
Chapter 3: Karapanou's Kassandra and the Wolf and Truth Content
Chapter 4: Ondaatje's Anil's Ghost and the Non-Identical
Conclusion: "Writing about flowers at a time like this"


About the author










Dr Eleni Philippou is currently a Postdoctoral Research Fellow at the Centre for Comparative Criticism and Translation (OCCT) at the University of Oxford. Beyond her key research interests in postcolonial and world literature, she is also interested in critical theory, comparative literature, and translation studies. She is an award-winning poet, with a number of poems published in both British and international anthologies and journals.


Summary

In this monograph Theodor Adorno’s philosophy engages with postcolonial texts and authors that emerge out of situations of political extremity – apartheid South Africa, war-torn Sri Lanka, Pinochet’s dictatorship, and the Greek military junta.

Additional text

"In Speaking Politically, Eleni Philippou develops a style of reading in dialogue with Adorno that reveals subtle but powerful political energies at work in the novels by Coetzee, Márquez, Karapanou and Ondaatje that are her focus. What's more, her argument reaches beyond those authors, for it offers new ways of bringing texts together in a world literary context, as well as a masterclass in astute interpretation. This is a deeply felt and crisply written book that anyone interested in world and postcolonial literary studies should read."
Matthew Reynolds, Professor of English and Comparative Criticism, University of Oxford.

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