Fr. 97.00

Zoe Leonard, 2 Teile - Al río / To the River

English, French, Spanish · Paperback / Softback

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Zoe Leonard is among the most influential artists of her generation. Her work merges photography, sculpture, and installation, balancing rigorous conceptualism with a distinctly personal vision. Al río / To the River, initiated in 2016, is a photographic project of epic scale addressing the more than one-thousand miles of river boundary shared by the United States and Mexico. Leonard approaches the river, known as Río Bravo in Mexico and Rio Grande in the United States, as a multifaceted leitmotif in which cultural, ecological, historical, social, political and economic concerns intersect. Published in two volumes, the first will feature Leonard's photographs, while the second, edited by Tim Johnson, brings together written contributions from a remarkable group of international artists, journalists, poets and scholars. Conceived as an alternate form of circulation for the work, the publication also provides an interdisciplinary reference for people interested in the river, environmental issues, borderlands culture and contemporary border issues.
ZOE LEONARD (*1961, Liberty, New York) works in photography, sculpture and installation. Her participation in Documenta IX brought her work to international attention. She has been the subject of solo shows at MOCA-Museum of Contemporary Art, Los Angeles (2018), Whitney Museum of American Art, New York (2018), and MoMA, New York (2015). She lives and works in New York City and Marfa, Texas.

Summary


Zoe Leonard is among the most influential artists of her generation. Her work merges photography, sculpture, and installation, balancing rigorous conceptualism with a distinctly personal vision. 
Al río / To the River
, initiated in 2016, is a photographic project of epic scale addressing the more than one-thousand miles of river boundary shared by the United States and Mexico. Leonard approaches the river, known as Río Bravo in Mexico and Rio Grande in the United States, as a multifaceted leitmotif in which cultural, ecological, historical, social, political and economic concerns intersect. Published in two volumes, the first will feature Leonard’s photographs, while the second, edited by Tim Johnson, brings together written contributions from a remarkable group of international artists, journalists, poets and scholars. Conceived as an alternate form of circulation for the work, the publication also provides an interdisciplinary reference for people interested in the river, environmental issues, borderlands culture and contemporary border issues.

ZOE LEONARD (*1961, Liberty, New York) works in photography, sculpture and installation. Her participation in Documenta IX brought her work to international attention. She has been the subject of solo shows at MOCA—Museum of Contemporary Art, Los Angeles (2018), Whitney Museum of American Art, New York (2018), and MoMA, New York (2015). She lives and works in New York City and Marfa, Texas.

Additional text

»[...] begleitet von einer großartig gestalteten und perfekt gedruckten zweiteiligen Publikation im Hatje Cantz Verlag.«

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»[...] begleitet von einer großartig gestalteten und perfekt gedruckten zweiteiligen Publikation im Hatje Cantz Verlag.« Brigitte Werneburg Monopol, 04.2022

Product details

Authors C J Alvarez, C. J. Alvarez, Ariella Azoulay, Ariella Aïsha Azoulay, Cecilia Ballí, Cecilia et al Ballí, Tim Johnson, Joseph Logan
Assisted by co-published with Mudam Luxembourg - Musée d'Art Moderne Grand-Duc Jean (Editor), Tim Johnson (Editor), with Mudam Luxembourg - Musée d' (Editor)
Publisher Hatje Cantz Verlag
 
Languages English, French, Spanish
Product format Paperback / Softback
Released 07.03.2022
 
EAN 9783775748780
ISBN 978-3-7757-4878-0
No. of pages 552
Dimensions 240 mm x 45 mm x 294 mm
Weight 2628 g
Illustrations 312 Abb.
Series Zeitgenössische Kunst
Museumskatalog
Subjects Humanities, art, music > Art
Non-fiction book > Art, literature

USA, Interaktive Kunst, Mexiko, Künste, Bildende Kunst allgemein, Installation, Fluss, Grenze, Rio Grande, Zeitgenösische Kunst, auseinandersetzen, Musée d'Art Moderne de Paris

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