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List of contents
Part 1: Global reach – local identities [1] Ricardo Dal Farra (and others): ‘Research-Creation in Latin American’ [2] Marc Battier and Lin-Ni Liao: 'Electronic Music in East Asia' [3] Leigh Landy: ‘The Three Paths: Cultural retention in contemporary Chinese electroacoustic music’ [4] Patrick Valiquet: ‘Technologies of Genre: Digital distinctions in Montreal’ [5] Hillegonda Rietveld: ‘Dancing in the Technoculture’ Part 2: Awareness, consciousness, participation [6] Pedro Rebelo and Rodrigo Cicchelli Velloso: ‘Participatory Sonic Arts: the Som de Maré project - towards a socially engaged art of sound in the everyday’ [7] Atau Tanaka and Adam Parkinson: ‘The Problems with Participation’ [8] Leah Barclay: ‘The Agency of Sonic Art in Changing Climates’ [9] Sally-Jane Norman: ‘Tuning and Metagesture After New Natures’ [10] Eduardo Miranda and Joel Eaton: ‘Music Neurotechnology: a natural progression’ Part 3: Extending performance and interaction [11] Simon Emmerson and Kenneth Fields: ‘Where are we? Extended Music Practice on the Internet’’ [12] Jonty Harrison: ‘Rendering the Invisible: BEAST and the performance practice of acousmatic music’ [13] Mick Grierson: ‘Creative Coding for Audiovisual Art: The CodeCircle Platform’
About the author
Simon Emmerson studied at Cambridge University and City University London. He is a composer, writer and professor at De Montfort University, Leicester. He works mostly with live electronics and has published widely in electroacoustic music studies. Keynote addresses include ACMC (Auckland), ICMC (Huddersfield), WOCMAT (Taiwan), and the Edgard-Varèse Guest Professorship (Berlin).
Summary
The theme of this Research Companion is ’connectivity and the global reach of electroacoustic music and sonic arts made with technology’. The possible scope of such a companion in the field of electronic music has changed radically over the last thirty years. The definitions of the field itself are now broader - there is no clear boundary between ’
