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Theatre and Dictatorship in the Luso-Hispanic World explores the discourses that have linked theatrical performance and prevailing dictatorial regimes across Spain, Portugal and their former colonies. These are divided into three different approaches to theatre itself - as cultural practice, as performance, and as textual artifact - addressing topics including obedience, resistance, authoritarian policies, theatre business, exile, violence, memory, trauma, nationalism, and postcolonialism. This book draws together a diverse range of methodological approaches to foreground the effects and constraints of dictatorship on theatrical expression and how theatre responds to these impositions.
List of contents
Weaving the Luso-Hispanic Fabric: an Entangled World of Dictatorial Constraints and Theatrical ResponsesDiego Santos Sánchez (Universidad de Alcalá)
| Policies/Practices |
Theatre Censorship and Foreign Drama in
Estado Novo Portugal during the Spanish Civil War and the Second World War
Zsófia Gombár (Universidade de Lisboa)
Censorship on the Brazilian Scene: the "Distribution of the Sensible" and Art as a Political Force
Maria Cristina Castillo Costa and Walter de Sousa Junior (Universidade de São Paulo)
José Tamayo: Foreign Policy and Cultural Opportunism
Carey Kasten (Fordham University)
Galician Independent Theatre: a Breach in Franco's Dictatorship
Cilha Lourenço Módia (Universidade da Coruña)
The Aftermath of Dictatorship in Contemporary Basque Theatre
Arantzazu Fernández Iglesias (Universidad Nacional Española a Distancia, UNED)
| Performance |
Are All Tyrannies the Same? Rebellion Against Spanish Oppression as a Reenactment of Resistance to Totalitarianism in Marcos' Philippines
Rocío Ortuño Casanova (Universiteit Antwerpen)
Puppet theatre as response to dictatorship in Catalonia and Chile
Cariad Astles (Royal Central School of Speech and Drama/University of Exeter)
Dagoll Dagom's
No hablaré en clase, a Postdramatic Response to Francoism
David Rodríguez Solás (University of Massachusetts Amherst)
The politics of community and place in o bando's
Nós Matámos o Cão Tinhoso! Vanessa Silva Pereira (Independent Scholar)
| Texts |
Bridging Literary Traditions in the Hispanic World: Equatorial Guinean Drama and the Dictatorial Cultural-Political Order
Elisa Rizo (Iowa State University)
Soldiers Without Orders, Actors Without Stages: Carlos Manuel Varela's
Interrogatorio en Elsinore and Bosco Brasil's
Novas diretrizes em tempos de paz Katya Soll (Baker University, Kansas, USA)
Complicitous Acts in Argentina's Theater:
La nona and
De a unoAriel Strichartz (St. Olaf College)
Paraguay between Dictatorships:
El Edificio, an Unknown Play by Josefina Plá
Yasmina Yousfi (Universitat Autònoma de Barcelona, Spain)
Negotiating Sexuality and Censorship in
Las sábanas by José Corrales
Lourdes Betanzos (Auburn University)
Appropriating the Past Under Somoza and the Sandinistas: the Polyvalent Sign of
El GüegüenceE.J. Westlake (University of Michigan-Ann Arbor)
About the author
Diego Santos Sánchez is a researcher at the Universidad de Alcalá, Spain.
Summary
Theatre and Dictatorship in the Luso-Hispanic World draws on a diverse range of methodological approaches to explore the discourses that have linked theatrical performance and prevailing dictatorial regimes across Spain, Portugal and their former colonies.
