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During the 1950s and 1960s, the Cold War and the potential for nuclear attack were on everyone's mind. It should therefore come as no surprise that despite an initial reluctance, several television shows that aired during this period focused on the atomic and hydrogen bombs ("the Bomb") and their potential for destruction. Music and the Atomic Bomb on American Television, 1950-1969 is the first book to consider the important role that music and sound play in the destruction narratives about the Bomb on Cold War-era television. This book not only examines the television shows that deal with the nuclear weapons in various forms and genres, but also contextualizes these shows through an analysis of primary source documents such as government pamphlets and documents, newspaper and periodical reports, presidential records, composer and television production records, and informational trade paperbacks.
List of contents
List of Musical Examples - Acknowledgments - Before the Bomb Explodes - Music for Mutilating Mannequins: Hearing Bomb Test Sites in Television Dramas - This Is Your Civil Defense - The Imagination of Disaster: Science Fiction and the Bomb - Preventative Measures - Hearing Children's Nuclear Anxiety - Appendix: Bomb Television Shows, 1950-1969 - Works Cited - Index.
About the author
Reba Wissner (Ph.D., Musicology, Brandeis University) is Assistant Professor of Musicology at Columbus State University. She is the author of A Dimension of Sound: Music in The Twilight Zone and We Will Control All That You Hear: The Outer Limits and the Aural Imagination.
Summary
Music and the Atomic Bomb on American Television, 1950-1969 is the first book to consider the important role that music and sound play in the destruction narratives about the Bomb on Cold War-era television.
