Fr. 130.00

Beethoven's Symphonies Arranged for the Chamber - Sociability, Reception, and Canon Formation

English · Hardback

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Description

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Classical symphonies are often considered as works for full orchestra, demanding fidelity to the composers' orchestral scores in performance, listening and study. This book resituates the cultural context, uncovering a largely untapped wealth of early nineteenth-century domestic music-making and chamber ensemble arrangements of Beethoven's works.

List of contents










Introduction; 1. 'A fruitful age of arrangements'; 2. Arrangers and authority; 3. Selling arrangements, constructing the canon; 4. Beethoven and Steiner's plan; 5. Musical arrangements and musical works; 6. 'Completely absorbed by the piano'.

About the author

Nancy November is Associate Professor in musicology at the University of Auckland. Recent publications include Beethoven's Theatrical Quartets: Opp. 59, 74, and 95 (2013); a three-volume set of fifteen string quartets by Beethoven's contemporary Emmanuel Aloys Förster (2016); Cultivating String Quartets in Beethoven's Vienna (Boydell Press, 2017) and the Cambridge Companion to the Eroica Symphony (Cambridge, 2020). She is the recipient of a Humboldt Fellowship; and two Marsden Grants from the New Zealand Royal Society.

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