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This book provides readings of contemporary comics that depict, or that are produced by, artists and collectives resident in cities marked by histories of division and which continue to be shaped by ongoing forms of physical and cultural segregation.
List of contents
Preface
Introduction. Urban Comics: Infrastructure and the Global City in Contemporary Graphic Narratives
Introduction: The Camp and the City
Form and Infrastructure
Infrastructural Form
Comics Collectives as Networked Urban Social Movements
The Image of the Global City
New York, New York: A Brief History of Comics and the City
Five Southern City Case Studies
Chapter 1. Drawing Public Space: Revolutionary Visual Cultures and the Right to the City in Cairo
Introduction: Revolutionary Visual Cultures and Gendered Public Spaces
Egyptian ‘Comix’, Online and Offline
Urban Cairo in Text and Image
Vision and Visibility in Magdy El Shafee’s Metro (2008)
Volume and Verticality in Deena Mohamed’s Qahera, the Webcomic, Not the City (2013-2015) Building Comics, Building Cities
Chapter 2. Image-Making in the Global City: Eco-Speculative Fictions and Urban Social Movements in Cape Town
Introduction: South African Cartoons, Comix and Co-mixed Visual Cultures
Privatisation, Segregation and Image-Making in the Global City
Afrofuturism, Solarpunk and Water Politics
Flooding the Cape Town ‘Utopia’
Turning to Townships: Urban Social Movements in Cape Town
Chapter 3. Graphic Katrina: Disaster Capitalism and Tourism Gentrification in New Orleans
Introduction: ‘There’s No Such Thing As A Natural Disaster’
Voyeurism and Voluntourism in the ‘Drowned City’
Vertical Perspectives in Josh Neufeld’s A.D. New Orleans After the Deluge (2009)
Comics and Zines in New Orleans: Gentrifying Forms, DIY Cities
Autographics, Art and Activism in Erin Wilson’s Snowbird (2013)
Chapter 4. Comics, Collectives, Collaborations: Engineering Pedestrian and Public Spaces in Delhi
Introduction: The City-as-Circuitboard
‘Engineering’ Comics: Orijit Sen and the Pao Collective
World Class Delhi: Politics in the City ‘Inside-Out’
Pedestrianism and Penmanship in Sarnath Banerjee’s Graphic Narratives
Histories of the Neoliberal Present in Vishwajyoti Ghosh’s Delhi Calm (2010)
Gendering the Right to the City: Women’s Maps, Women’s Lines
Chapter 5. Comics as Infrastructure: Public Space and Post-war Reconstruction in Beirut
Introduction: Post-war Reconstruction in the Neoliberal Era
Weaponised Infrastructure in Wartime Beirut
Rebuilding the City in Zeina Abirached’s Graphic Memoirs
Lamia Ziadé’s Bye Bye Babylon: The City as Witness
Urban Warfare and Civilian Life in Text and Image
New Geographies of Beirut: Samandal as Urban Social Movement
Conclusion. Bordered Forms, Bordered Worlds
About the author
Dominic Davies is a Lecturer in English at City, University of London. In 2018 he finished a British Academy Postdoctoral Fellowship at the University of Oxford, where he also completed his DPhil and established the TORCH Network, ‘Comics and Graphic Novels: The Politics of Form’. He is the author of Imperial Infrastructure and Spatial Resistance in Colonial Literature, 1880-1930 (2017), along with a number of articles and book chapters exploring the relationship between urban infrastructure, the built environment and artistic and literary cultures. He is the co-editor of Fighting Words: Fifteen Books that Shaped the Postcolonial World (2017) and Planned Violence: Post/Colonial Urban Infrastructure, Literature & Culture (2018). He is also the editor of a collection of essays and comics entitled Documenting Trauma in Comics: Traumatic Pasts, Embodied Histories & Graphic Reportage (2019).
Summary
This book provides readings of contemporary comics that depict, or that are produced by, artists and collectives resident in cities marked by histories of division and which continue to be shaped by ongoing forms of physical and cultural segregation.
