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Informationen zum Autor KIMIKO HAHN is the author of ten books of poems, including Foreign Bodies (2020). Hahn is a distinguished professor in the MFA program in Creative Writing and Literary Translation at Queens College, City University of New York. She has been awarded a Guggenheim Fellowship, the PEN/Voelcker Award for Poetry, and fellowships from the National Endowment for the Arts, and is a former president of the Poetry Society of America. HAROLD SCHECHTER is a professor emeritus of American literature and culture at Queens College, City University of New York, and the author of several mystery novels featuring Edgar Allan Poe, as well as coeditor of three previous Everyman's Library Pocket Poet volumes. He lives in New York City. Klappentext A unique anthology of poems--from around the world and through the ages--that celebrate the gloriously diverse insect world. Given that insects vastly outnumber us, it is no surprise that many cultures have long and rich traditions of verse about our tiny fellow creatures. Tang dynasty poets in China and the haiku masters of Japan composed thousands of works in praise of crickets, grasshoppers, cicadas, moths, and butterflies, as well as such humbler bugs as houseflies, fleas, and mosquitoes. In the West, poems about insects date back to the ancient Greeks and appear frequently in Europe from the Elizabethan period onward. The brilliant poets collected here range far and wide in time and place, including Tu Fu, John Donne, Kobayashi Issa, William Wordsworth, Victor Hugo, Ivan Turgenev, Emily Dickinson, Christina Rossetti, Robert Frost, E. E. Cummings, Elizabeth Bishop, Ted Hughes, Pablo Neruda, Mary Oliver, Xi Chuan, and Kevin Young. Bees, butterflies, and beetles, cockroaches and caterpillars, fireflies and dragonflies, ladybugs and glowworms-the miniature beings that adorn these pages are as varied as the poetic talents that celebrate them. Leseprobe FOREWORD Scientists estimate that, at any time, there are ten quintillion insects on the earth – or, to put the figure in more comprehensible terms, more than 200 million insects for every human being. This is a sobering statistic to contemplate for the legions who share the sentiment expressed in the Book of Leviticus: “All flying insects that creep on all fours shall be an abomination to you.” It is, however, a useful reminder of the extent to which our world is made up of such creatures. And since (to quote Edward Hirsch’s A Poet’s Glossary ), “the natural world has been one of the recurring subjects of poetry, frequently the primary one, in every age and every country,” it is no surprise that there is a rich body of verse on the creeping, scuttling, stinging things – Hexapoda, to use the proper entomological term – with which we share our planet. That insects can serve as a suitable subject for poetry would come as no surprise to any child familiar with the various nursery rhymes about lady bugs, glowworms, and spiders (nitpickers like to point out that,strictly speaking, spiders aren’t bugs, but try telling that to Little Miss Muffet). Cultures other than our own have centuries-old traditions of insect verse. In China –where noblewomen of the Tang dynasty kept crickets in gold cages to serenade them at night – countless songs were written in praise of these “insect musicians.” The haiku masters of Japan similarly composed thousands of poems not only about crickets but also about grasshoppers, cicadas, firefl ies, dragonflies, and butterflies,along with such less prepossessing bugs as houseflies, fleas, and mosquitoes. In the West, poems about insects date back t othe ancient Greek collection known as the Garland, compiled by the poet anthologist Meleager. In later centuries, insects feature so frequently in British works from the Elizabethan period onward that scholars have produced entire entomological studies of the literature (most notably, Pearl ...
