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Zusatztext THE STONE AGE transports us to the bleakly beautiful landscape of Shetland, where she lives. Hers is an uncompromising eye which sees Soul in everything. . . Strange and challenging, these poems demand as much attention as the poet gives her world. Informationen zum Autor Jen Hadfield lives in Shetland. Her first collection Almanacs won an Eric Gregory Award in 2003. Her second collection Nigh-No-Place won the T. S. Eliot Prize and was shortlisted for the Forward Prize for Best Collection. She won the Edwin Morgan Poetry Competition in 2012. Her collection The Stone Age won the Highland Book Prize in 2022. Klappentext 'There is something magical and incantatory in the way she cherishes language at the level of the name, as if utterance itself might be a way of dwelling in the real and making oneself at home there.' New Statesman The Stone Age , the new collection from T. S Eliot Prize-winning poet Jen Hadfield, is an astonished beholding of the wild landscape of her Shetland home, a tale of hard-won speech, and the balm of the silence it rides upon. The Stone Age builds steadily to a powerful and visionary panpsychism: in Hadfield's telling, everything - gate and wall, flower and rain, shore and sea, the standing stones whose presences charge the land - has a living consciousness, one which can be engaged with as a personal encounter. The Stone Age is a timely reminder that our neurodiversity is a gift: we do not all see the world in the same way, and Hadfield's lyric line and unashamedly high-stakes wordplay provide nothing less than a portal into a different kind of being. The Stone Age is the work of a singular artist at the height of her powers - one which dramatically extends and enriches the range of our shared experience. Vorwort A lyrical and dramatic collection of poems centered around Shetland from the winner of the T. S. Eliot Prize. Zusammenfassung Winner of the 2021 Highland Book Prize Jen Hadfield’s new collection is an astonished beholding of the wild landscape of her Shetland home, a tale of hard-won speech, and the balm of the silence it rides upon. The Stone Age builds steadily to a powerful and visionary panpsychism: in Hadfield’s telling, everything – gate and wall, flower and rain, shore and sea, the standing stones whose presences charge the land – has a living consciousness, one which can be engaged with as a personal encounter. The Stone Age is a timely reminder that our neurodiversity is a gift: we do not all see the world the world in the same way, and Hadfield’s lyric line and unashamedly high-stakes wordplay provide nothing less than a portal into a different kind of being. The Stone Age is the work of a singular artist at the height of her powers – one which dramatically extends and enriches the range of our shared experience. ...
