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Zusatztext A welcome reminder of the innovative and expansive influence of German scenography and an inspirational vision of scenographic potentiality. Informationen zum Autor Birgit E. Wiens is the Heisenberg Fellow of the DFG at the University of Munich, Germany. Klappentext Contemporary Scenography investigates scenographic concepts, practices and aesthetics in Germany from1989 to the present. Facing the end of the political divide, the advent of the digital age and the challenges of globalization, German-based designers and scenographers have reacted in a variety of ways to these shifts in the cultural landscape.The edited volume, a compilation of 12 original chapters written in collaboration with acclaimed scenographers,stage designers and distinguished scholars, offers fresh insights and in-depth analyses of current artistic concepts, discourse and innovation in this multifaceted, dynamic field. The book covers a broad spectrum of scenography, including theatre works by Katrin Brack, Bert Neumann, Aleksandar Denic, Klaus Grünberg, Vinge/Müller and Rimini Protokoll, in addition to scenography in museums, exhibitions, social spaces and in various urban contexts.Presenting a range of perspectives, the volume explores the interdisciplinarity of contemporary scenography and its ongoing diversification, raising questions relating to cultural heritage, genre and media specificity, knowledge transfer, local versus global practices, internationalization and cultural exchange. Combined with a set of stimulating examples of scenographic design in action - presented through interviews, artists' statements and case studies - the contributors develop a theoretical framework for understanding scenography as an art practice and discourse. Vorwort This edited volume of 14 essays provides an introduction to contemporary practices in German scenography. Zusammenfassung Contemporary Scenography investigates scenographic concepts, practices and aesthetics in Germany from1989 to the present. Facing the end of the political divide, the advent of the digital age and the challenges of globalization, German-based designers and scenographers have reacted in a variety of ways to these shifts in the cultural landscape.The edited volume, a compilation of 12 original chapters written in collaboration with acclaimed scenographers,stage designers and distinguished scholars, offers fresh insights and in-depth analyses of current artistic concepts, discourse and innovation in this multifaceted, dynamic field. The book covers a broad spectrum of scenography, including theatre works by Katrin Brack, Bert Neumann, Aleksandar Denic, Klaus Grünberg, Vinge/Müller and Rimini Protokoll, in addition to scenography in museums, exhibitions, social spaces and in various urban contexts.Presenting a range of perspectives, the volume explores the interdisciplinarity of contemporary scenography and its ongoing diversification, raising questions relating to cultural heritage, genre and media specificity, knowledge transfer, local versus global practices, internationalization and cultural exchange. Combined with a set of stimulating examples of scenographic design in action – presented through interviews, artists’ statements and case studies – the contributors develop a theoretical framework for understanding scenography as an art practice and discourse. Inhaltsverzeichnis List of IllustrationsForeword by Christopher Balme (LMU Munich, Germany)Scenographic Practices and Aesthetics in Contemporary German Theatre, Arts and Design – An Introduction – Birgit Wiens (LMU Munich, Germany)PART ONE Scenography in and beyond the Theatre: Aesthetics and Epistemes1 ‘I am trying to add more layers to the story’. From the model to the stage: Artistic thinking and design practices in Aleksandar Denic’s theatre works with Frank Castorf and others – A conversation between Aleksandar Denic (Stage Design...
