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Zusatztext This is a valuable collection of research into the relationships between popular music and various spiritualities. Well written and covering a great deal, it will be a key source to anyone working in this field. Informationen zum Autor Georgina Gregory is Senior Lecturer in the Department of Humanities and Social Sciences at the University of Central Lancashire, UK. She is author of Relocating Popular Music (2015) and Send in the Clones: A Cultural Study of the Tribute Band. Mike Dines is an independent scholar with close links with the University of West London, UK. He is Co-Editor of Punk Pedagogies (2018), Postgraduate Voices in Punk Studies (2016), and The Aesthetic of Our Anger:Anarcho-Punk, Politics and Music (2016). Vorwort Explores through case studies the ways in which popular music intersects with traditional and alternative religions and how it informs and is informed by spiritual practices. Zusammenfassung This book highlights how the diverse nature of spiritual practices are experienced and manifest through the medium of popular music. At first glance, chapters on Krishnacore, the Rave Church phenomenon and post-punk repertoire of Psychic TV may appear to have little in common; however, this book draws attention to some of the similarities of the nuances of spiritual expression that underpin the lived experience of popular music. As an interdisciplinary volume, the extensive introduction unpacks and clarifies terminology relating to the study of religion and popular music.The cross-disciplinary approach of the book makes it accessible and appealing to scholars of religious studies, cultural studies, popular music studies and theology. Unlike existing collections dealing with popular music and religion that focus on a specific genre, this innovative book offers a range of music and case studies, with chapters written by international contributors. Inhaltsverzeichnis Contributor biosAcknowledgmentsIntroduction by Mike Dines & Georgina GregoryChapter 1: Beatified Beats, Ritualized Rhymes: Intersections of the Popular and the Sacred in Music by Antti-Ville KärjäSection One: Personal SpiritualityChapter 2: Leonard Cohen, the ‘Sufi’ Mystic by Jirí MesícChapter 3: Hank and Jesus: The Integral Roles of Religion and the History of Country Music in the Lives and Careers of Contemporary Country Artists by Gillian KellyChapter 4: Above the Clouds: Discourses of the Spiritual and the Religious in the Lyrics of Paul Weller by Paul SpicerSection Two: ChristianityChapter 5: ‘Embracing the Divine Chaos’: Transcending the Sacred-Secular Divide in the 1990s British Rave Church Movement by Lucy Robinson & Chris WarneChapter 6: Pop Goes to Church: Taste, Class and ‘Chav’ Christianity by Georgina GregoryChapter 7: ‘The Time Has Come, Exodus!’: Congo Natty and the Jungle (r)evolution by Shara RambarranChapter 8: ‘Between Hipsters and God There is Sufjan Stevens’: Sufjan Stevens & His Fans by Katelyn MedicSection Three: Alternative ReligionsChapter 9: ‘Save my soul from the poisons of this world’: Straight Edge punk and Religious Re-Enchantment by Francis StewartChapter 10: ‘Message From Thee Temple’: Magick, Occultism, Mysticism and Psychic TVby Mike Dines and Matt GrimesChapter 11: I am god! The transference of musical fandom as religion to worshipping the self by Javier Campos Calvo-SotelIndex...
