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Informationen zum Autor Melvyn Bragg is a writer and broadcaster. He was editor and presenter of The South Bank Show from 1978-2010 and presents the BBC Radio 4 series In Our Time. His novels include The Hired Man , for which he won the Time/Life Silver Pen Award, Without a City Wall , winner of the John Llewellyn Rhys Prize, The Soldier's Return , winner of the W.H. Smith Literary Award, A Son of War and Crossing the Lines , both of which were longlisted for the Man Booker Prize, A Place in England , which was longlisted for the Lost Man Booker Prize, and most recently, Now is the Time (Sceptre, 2015). He lives in London and Cumbria, UK. Klappentext The Seventh Seal is probably Bergman's best-known work and the film that most clearly bears the director's unmistakeable signature. The opening scene sets the tone: a stony beach under a leaden sky, the knight alone with his thoughts, then the approach of black-clad Death, whom the knight invites to play a game of chess. Bergman's medieval allegory of faith and doubt is dark with the horrors of witch-burnings and the plague. But it is also shot through with bright flashes of peace and joy, symbolised in the milk and wild strawberries offered to the knight by an innocent family of actors.In his compelling appreciation, Melvyn Bragg describes his own first encounter as a student with this extraordinary film, and how it revealed to him another cinema, quite different from the Hollywood he had grown up with. He recounts too his later meeting with Bergman himself, and how the marks of the director's powerful personality are everywhere in this troubling and inspiring masterpiece. Zusammenfassung The Seventh Seal is probably Bergman's best-known work and the film that most clearly bears the director's unmistakeable signature. The opening scene sets the tone: a stony beach under a leaden sky, the knight alone with his thoughts, then the approach of black-clad Death, whom the knight invites to play a game of chess. Bergman's medieval allegory of faith and doubt is dark with the horrors of witch-burnings and the plague. But it is also shot through with bright flashes of peace and joy, symbolised in the milk and wild strawberries offered to the knight by an innocent family of actors.In his compelling appreciation, Melvyn Bragg describes his own first encounter as a student with this extraordinary film, and how it revealed to him another cinema, quite different from the Hollywood he had grown up with. He recounts too his later meeting with Bergman himself, and how the marks of the director's powerful personality are everywhere in this troubling and inspiring masterpiece. Inhaltsverzeichnis Acknowledgments1. Art and Religion2. On First Meeting Ingmar Bergman3. The Play's the Thing4. Sealed in Childhood5. The Making of the Film6. A Film by Ingmar BergmanNotes Credits...
