Read more
Instrumental teaching in the UK is characterised by a lack of regulation and curriculum, whereby individuals can teach with no training or qualification. Kerry Boyle explores the way in which individuals who begin teaching can negotiate successful careers in music without formal training. Existing studies suggest that individuals in this context have complex understandings of professional identity, preferring to identify as musicians or performers rather than teachers, even when most of their income is derived from teaching. Boyle explores the complex working lives of instrumental teachers in the UK, including routes into instrumental teaching and the specific meanings associated with the role and identity of the professional musician for individuals involved in portfolio careers in music. Through an examination of the lived experience of instrumental teachers, this study highlights the need to revise existing notions of the professional musician to acknowledge contemporary careers in music. The resulting insights can be used to inform and enhance existing approaches to careers in music and contribute to career preparation in undergraduate music students.
List of contents
Introduction
Chapter One
The Instrumental Teacher – key questions
Chapter Two
Instrumental Teaching in the UK
Chapter Three
Understanding the Development of Professional Identity in Instrumental
Chapter Four
Careers in instrumental teaching - the study findings.
Chapter Five
Autonomy and agency in instrumental teaching
Chapter Six
Identity conflict - unpacking the musician identity
Chapter Seven
Professional identity and the portfolio career in music
Chapter Eight
Career preparation and employability
Chapter Nine
Key Questions Revisited
Conclusion
About the author
Kerry Boyle is a lecturer, researcher and vocal tutor at Canterbury Christ Church University. In addition, she works as a singing teacher and choral director in a range of institutions and is the director of Canterbury Vocals.
Summary
Through examination of the lived experience of instrumental teachers this study highlights the need to revise existing notions of the professional musician to acknowledge contemporary careers in music.
