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Written with undergraduate students in mind, this introduces a range of international, contemporary photographers and contextualises their work in historical terms.
List of contents
I. Realisms 1. Description and Abstraction 2. Truth and Fiction II. Evidence 3. Measuring the Body 4. Mapping the Land III. Ethics 5. Politics of Representation 6. Pictures of War IV. Art Heather Diack 7. Form 8. Appropriation V. Collections 9. Museums 10. Archives Collections VI. Expanded Field 11. Celebrity Style, the Publicity Shot, and the Maverick 12. Photography and the Cinematic
About the author
Erina Duganne is Associate Professor of Art History in the School of Art and Design at Texas State University where she teaches courses on modern and contemporary art, photography, and visual culture. She is the author of The Self in Black and White: Race and Subjectivity in Postwar American Photography, was a co-curator, a co-editor, and an essayist for the exhibition and accompanying publication, Beautiful Suffering: Photography and the Traffic in Pain (2007).
Heather Diack is Associate Professor of Contemporary Art History at the University of Miami. She is the author of Documents of Doubt: The Photographic Conditions of Conceptual Art (2020).
Terri Weissman is Associate Professor of Art History in the School of Art and Design at the University of Illinois, Urbana-Champaign where she teaches modern and contemporary art history, the history of photography and the history of design. She is also affiliated with the University of Illinois's Unit for Criticism and Interpretative Theory. She is the author of The Realisms of Berenice Abbott: Documentary Photography and Political Action and was co-curator and co-author for the exhibition and accompanying publication American Modern: Documentary Photographs by Abbott, Evans, and Bourke-White (2010).
Summary
This innovative text recounts the history of photography through a series of thematically structured chapters. Designed and written for students studying photography and its history, each chapter approaches its subject by introducing a range of international, contemporary photographers and then contextualizing their work in historical terms.
Additional text
"Global Photography boldly answers the calls to expand and reframe the grand narrative that scholars constructed for photography in the twentieth century. The book broadens the geographic and temporal scope of traditional surveys, integrates multiple voices, and places history into productive dialogue with the present—all while remaining critical of its own choices and cultural biases, and skeptical of any text that claims to represent the whole story of photography."
Tanya Sheehan, William R. Kenan Jr. Professor of Art, Colby College
