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Zusatztext When theater is put on camera! the camera's eye controls our gaze. As the 24 Hour Plays' 'Viral Monologues' have proved! that can work splendidly - when the theater is made with the camera in mind. Informationen zum Autor In October 1995, the first production of The 24 Hour Plays took place on Manhattan's Lower East Side. Inspired by Scott McCloud's 24 hour comics (comic books composed in a single day), founder Tina Fallon saw an opportunity to bring together a community of creative artists in a time-limited experiment. The project was intended as a one-time-only event. Over twenty years and hundreds of plays later, in addition to The 24 Hour Plays on Broadway and The 24 Hour Musicals in New York City, regular events take place in London, Los Angeles, Dublin, Minneapolis, San Francisco, Germany, Athens, Finland, Mexico City, Florence and Denmark. Through collaborations with The Lillys, Dublin Youth Theatre, Urban Arts Partnership, The Old Vic Theatre, Bennington College, Hennepin Theatre Trust, The University of Minnesota-Duluth, Cornerstone Theater Company, PlayGround, Rakastajat-teatteri, The Orchard Project, The Del Sole Foundation and others, The 24 Hour Plays have raised millions of dollars for charities. Howard Sherman is a theatre administrator, writer, and advocate. He has been executive director of the American Theatre Wing and the O'Neill Theater Center, managing director of Geva Theatre, general manager of Goodspeed Musicals and public relations director of Hartford Stage. He has also interim director of the Alliance for Inclusion in the Arts. Since 2012, he has been the US columnist for The Stage newspaper in London, and in 2018 was named Contributing Editor of Stage Directions magazine. His writing has appeared in a number of publications including Slate, The New York Times, the Guardian, and American Theatre Magazine. He was cited as one of the Top 40 Free Speech Defenders in 2014 by the National Coalition Against Censorship and received the Dramatists Legal Defense Fund's “Defender” Award in 2015; he frequently consults, writes and speaks on issues of censorship in both academic and professional theatre. Klappentext Since 1995 The 24 Hour Plays have been responding to theatre in the moment. As the 2020 Coronavirus pandemic brought an end to live theatre in the USA and Europe, the company sprang to work to keep the arts alive. Bringing together some of America's most prolific writers for the stage and screen, this unique and contemporary book of monologues collates the responses in dramatic fashion, making for an anthology of work that is timely, moving, irreverent and at its best, transcendent. Featuring original monologues by writers such as David Lindsay-Abaire, Clare Barron, Hansol Jung, Stephen Adly Guirgis, Christoper Oscar Peña, Jesse Eisenberg and Monique Moses this is a rich collection that can be enjoyed by actors, writers and those looking for creative responses to the global COVID-19 crisis. With over 50 monologues from the first three weeks of the project, edited by Howard Sherman, this is an important collection that documents an unprecedented moment in history whilst also offering practical resource for actors and performers. Zusammenfassung Since 1995 The 24 Hour Plays have been responding to theatre in the moment. As the 2020 Coronavirus pandemic brought an end to live theatre in the USA and Europe, the company sprang to work to keep the arts alive. Bringing together some of America's most prolific writers for the stage and screen, this unique and contemporary book of monologues collates the responses in dramatic fashion, making for an anthology of work that is timely, moving, irreverent and at its best, transcendent. Featuring original monologues by writers such as David Lindsay-Abaire, Clare Barron, Hansol Jung, Stephen Adly Guirgis, Christoper Oscar Peña, Jesse Eisenberg and Monique Moses ...
