Fr. 77.00

Dress as Metaphor - British Female Fashion and Social Change in the 20th Century

English · Hardback

Shipping usually within 2 to 3 weeks (title will be printed to order)

Description

Read more

This book traces the interconnectedness of women's sartorial practices and social change in 20th-century Britain. Based on a wide range of cultural texts, which include literary works, magazines, posters, advertisements and political cartoons, this study endeavours to prove that due to the metaphorical function of clothing, womenswear imparted significant information about women's positions in society during transformative historical moments.

List of contents

INTRODUCTION
THEORIES OF FASHION
1.1 Fashion as Communication
1.2 Identity Formation Through Fashion: Gender, Class, Subculture, Age
THE METAPHORS WE LIVE IN - DRESS AS A METAPHOR
2.1 Conceptual Metaphor Theory and Fashion
2.2 Seeing Through Clothes - Fashion as Metaphor in Visual Culture
SARTORIAL PRACTICES AND METAPHORS IN THE REPRESENTATIONS OF THE BRITISH SUFFRAGETTES AND THE FLAPPERS
3.1 Fashionable Suffragettes
3.2 The Flappers and Their (Mis)representation in the British Media
THE UNIFORMED FEMINITY OF THE WARTIME FASHIONS
4.1 Civilians in Uniforms - Sartorial Representations of Female Identity During the WWI
4.2 Utility Fashion and Military Women of WWII
THE POST-WAR SUBCULTURAL REBELLION AND WOMEN'S FASHION OF THE TEDDY GIRLS, MODS AND PUNKS
5.1 The Teds
Contents10
5.2 The Mods
5.3 The Punks
ANTI-FASHION OF THE SECOND WAVE FEMINISM
6.1 British Second-Wave Feminism, Spare Rib, and Fashion
6.2 Feminist Fashion in Anti-feminist Cartoons
POLITICAL LEADERSHIP AND FEMALE FASHION IN THE 1990s
7.1 British Political Institutions and Their Dress Codes as Metaphors
7.2 British Women in Politics: Betty Boothroyd's Style as a Metaphor of Tradition
CONCLUSION
Works Cited
Index

About the author










Katarzyna Agnieszka Kociöek is an assistant professor at the Institute of English Studies, University of Warsaw, Poland. Her doctoral dissertation (2009) examined the representations of ethnic identities in the British visual arts discourse of the 1980s and 1990s. Her research interests include the representation of identities and the visual culture, which incorporates fashion, film and visual arts

Product details

Authors Katarzyna Kociolek
Assisted by Marek Wilczynski (Editor)
Publisher Peter Lang
 
Languages English
Product format Hardback
Released 01.01.2020
 
EAN 9783631660041
ISBN 978-3-631-66004-1
No. of pages 214
Dimensions 155 mm x 19 mm x 216 mm
Weight 377 g
Illustrations 13 Abb.
Series Transatlantic Studies in British and North American Culture
Subject Humanities, art, music > Linguistics and literary studies > General and comparative linguistics

Customer reviews

No reviews have been written for this item yet. Write the first review and be helpful to other users when they decide on a purchase.

Write a review

Thumbs up or thumbs down? Write your own review.

For messages to CeDe.ch please use the contact form.

The input fields marked * are obligatory

By submitting this form you agree to our data privacy statement.