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The turn of the seventeenth century was an important moment in the history of English criticism. In a series of pioneering works of rhetoric and poetics, writers such as Philip Sidney, George Puttenham, and Ben Jonson laid the foundations of critical discourse in English, and the English word "critic" began, for the first time, to suggest expertise in literary judgment. Yet the conspicuously ambivalent attitude of these critics toward criticism-and the persistent fear that they would be misunderstood, marginalized, scapegoated, or otherwise "branded with the dignity of a critic"-suggests that the position of the critic in this period was uncertain. In Inventing the Critic in Renaissance England, William Russell reveals that the critics of the English Renaissance did not passively absorb their practice from Continental and classical sources but actively invented it in response to a confluence of social and intellectual factors.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
List of contents
Acknowledgments
Introduction: "Branded with the Dignity of a Critic"
1. Gosson, Sidney, and the Experience of the Critic
2. Harvey, Nashe, and the Comedy of Criticism
3. Ben Jonson and the Consociative Critic
4. Puttenham, Carew, and the Closed Critic
Coda: "Yet Thus Let Me Say"
Notes
Bibliography
Index
About the author
William M. Russell is Associate Professor of English at the College of Charleston.
Summary
The turn of the seventeenth century was an important moment in the history of English criticism. In this volume, William Russell reveals that the critics of the English Renaissance did not passively absorb their practice from Continental and classical sources but actively invented it in response to a confluence of social and intellectual factors.
