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In the Name of the Image - Figurative Representation in Islamic and Christian Cultures. Katalog zur Ausstellung im Museum Rietberg Zürich

English · Hardback

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Description

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In the Name of the Image primarily attempts to direct attention to the history of both Islamic and Christian cultures, tracing and analyzing their ways of dealing with images. Even though both Christianity and Islam are familiar with religious bans on images, pictures, portraits, and other works of pictorial art can still be found in both cultural areas. Still, the prohibition of images is mainly associated with Islam, while the question of why, for example, statues of Mary are worshipped in (Catholic) churches, is rarely posed. What was the function of the image and what sort of meaning did it have? Whom did the image address, and what message did it send? What role did theology play in this, and what role was assigned to secular ruling powers? It turns out that there are not only diff erences between the two cultures, but unexpected similarities as well. Ultimately, this is a story that fl uctuates between iconophilism and iconophobia, between faith in images and criticism of them.
This book is also available in German.

Summary

In the Name of the Image
primarily attempts to direct attention to the history of both Islamic and Christian cultures, tracing and analyzing their ways of dealing with images. Even though both Christianity and Islam are familiar with religious bans on images, pictures, portraits, and other works of pictorial art can still be found in both cultural areas. Still, the prohibition of images is mainly associated with Islam, while the question of why, for example, statues of Mary are worshipped in (Catholic) churches, is rarely posed. What was the function of the image and what sort of meaning did it have? Whom did the image address, and what message did it send? What role did theology play in this, and what role was assigned to secular ruling powers? It turns out that there are not only diff erences between the two cultures, but unexpected similarities as well. Ultimately, this is a story that fl uctuates between iconophilism and iconophobia, between faith in images and criticism of them.

This book is also available in German.

Product details

Authors Dori Behrens Abouseif, Doris Behrens Abouseif, Diete Blume, Dieter Blume, Erismann, Ch Erismann
Assisted by Axe Langer (Editor), Axel Langer (Editor), Museum Rietberg (Editor), Rietberg (Editor), Rietberg (Editor)
Publisher Hatje Cantz Verlag
 
Languages English
Product format Hardback
Released 28.11.2020
 
EAN 9783775747332
ISBN 978-3-7757-4733-2
No. of pages 504
Dimensions 164 mm x 36 mm x 242 mm
Weight 1010 g
Illustrations 214 Abb.
Series Kulturgeschichte
Museumskatalog
Subjects Humanities, art, music > Art > Art history

Kulturgeschichte, Christentum, Islam, Religion, Künste, Bildende Kunst allgemein, auseinandersetzen

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