Experiencing Liveness in Contemporary Performance - Interdisciplinary Perspectives

This volume brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical focus of audiences and experience. The status and significance of the live in performance has become contested: perceived as variously as a marker of ontological difference, a promotional slogan, or a mystical evocation of cultural value. Moving beyond debates about the relationship between the live and the mediated, this collection considers what we can know and say about liveness in terms of processes of experiencing and processes of making. Drawing together contributions from theatre, music, dance, and performance art, it takes an interdisciplinary approach in asking not what liveness is, but how it matters and to whom.

The book invites readers to consider how liveness is produced through processes of audiencing - as spectators bring qualities of (a)liveness into being through the nature of their attention - and how it becomes materialized in acts of performance, acts of making, acts of archiving, and acts of remembering. Theoretical chapters and practice-based reflections explore liveness, eventness and nowness as key concepts in a range of topics such as affect, documentation, embodiment, fandom, and temporality, showing how the relationship between audience and event is rarely singular and more often malleable and multiple. With its focus on experiencing liveness, this collection will be of interest to disciplines including performance, audience and cultural studies, visual arts, cinema, and sound technologies.

List of contents

Contents
Introduction: Experiencing Liveness in Contemporary Performance
Matthew Reason and Anja Mølle Lindelof
Part 1: Audiencing
Section Introduction: Matthew Reason and Anja Mølle Lindelof
Chapters

1. Coming (a)live: A Prolegomenon to any Future Research on ‘Liveness’
Martin Barker


2. Orange Dogs and Memory Responses: Creativity in Spectating and Remembering
Katja Hilevaara


3. Fandom, Liveness and Technology at Tori Amos Music Concerts: Examining the Movement of Meaning within Social Media Use
Lucy Bennett


4. Social and Online Experiences: Shaping Live Listening Expectation in Classical Music
Stephanie E. Pitts


5. The Meaning of Lived Experience
Paddy Scannell


6. Affect and Experience

Matthew Reason
Shorts

1. Live Art, Death Threats: The Theatrical Antagonism of First Night
Alexis Soloski


2. Attention as a Tension: Affective Experience between Performer and Audience in the Live Encounter
Victoria Gray


3. Empathy and Resonant Relationships in Performance Art
Lynn Lu


4. Embodied Traces: Co-presence, Kinaesthesia and Bodily Inscription
Imogene Newland


5. An Experience of Becoming: Wearing a Tail and Alpine Walking
Catherine Bagnall


6. Sisters Academy: Radical Live Intervention into the Educational System
Gry Worre Halberg


7. One-to-One Performance: Who’s in Charge?
Sarah Hogarth and Emma Bramley


8. A Performatic Archive
Kerrie Reading


9. Theatre of Bone

Rebecca Schneider
Part 2: Materialising
Section Introduction: Matthew Reason and Anja Mølle Lindelof
Chapters

1. What is a Live Event?
Gary Peters


2. Improvising Music Experience: The Eternal Ex-temporisation of Music Made Live
Steve Tromans


3. The Place of Performance: A Critical Historiography on the Topos of Time
Jonah Westerman


4. Objectifying Liveness: Labour, Agency and the Body in the 11 Rooms Exhibition
Lisa Newman


5. Reconsidering Liveness in the Age of Digital Implication
Eirini Nedelkopoulou


6. Environmental Performance: Framing Time

Anja Mølle Lindelof, Ulrik Schmidt and Connie Svabo
Shorts

1. Three Performances: A Virtual (Musical) Improvisation
Mathias Maschat and Christopher Williams


2. Chronography
Craig Dworkin


3. Memory, Time and Self: A Text Work based on a Conceptual Performance
Paul Forte


4. Broken Magic: The Liveness of Loudspeakers
Dugal McKinnon


5. Managing Live Audience Attention in the Age of Digital Mediation: The Good, The God and The Guillotine:
Martin Blain


6. Enlivened Serendipity
Allen S. Weiss


7. National Theatre Wales’s Coriolan/us: A ‘Live Film’
Mike Pearson


8. Machines in Queer Gardens: Performance as Mixed Surreality

Judd Morrissey and Mark Jeffery
Afterword
So Close and Yet So Far Away: The Proxemics of Liveness
Philip Auslander
List of Contributors
Index

About the author

Matthew Reason is Professor of Theatre and Performance at York St John University, UK.

Anja Mølle Lindelof is Assistant Professor of Performance Design at Roskilde University, Denmark.

Summary

This volume brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical focus of audiences and experience. The status and significance of the live in performance has become contested: perceived as variously as a marker of ontological difference, a promotional slogan, or a mystical evocation of cultural value. Moving beyond debates about the relationship between the live and the mediated, this collection considers what we can know and say about liveness in terms of processes of experiencing and processes of making. Drawing together contributions from theatre, music, dance, and performance art, it takes an interdisciplinary approach in asking not what liveness is, but how it matters and to whom.
The book invites readers to consider how liveness is produced through processes of audiencing - as spectators bring qualities of (a)liveness into being through the nature of their attention - and how it becomes materialized in acts of performance, acts of making, acts of archiving, and acts of remembering. Theoretical chapters and practice-based reflections explore liveness, eventness and nowness as key concepts in a range of topics such as affect, documentation, embodiment, fandom, and temporality, showing how the relationship between audience and event is rarely singular and more often malleable and multiple. With its focus on experiencing liveness, this collection will be of interest to disciplines including performance, audience and cultural studies, visual arts, cinema, and sound technologies.

Product details

• Authors: Matthew (York St John University Reason, Matthew Lindelof Reason
• Assisted by: Anja Molle Lindelof (Editor), Anja Mølle Lindelof (Editor), Matthew Reason (Editor)
• Publisher: Taylor & Francis Ltd.
• Languages: English
• Product format: Paperback / Softback
• Released: 30.04.2020
• EAN: 9780367513566
• ISBN: 978-0-367-51356-6
• No. of pages: 320
• Series: Routledge Advances in Theatre & Performance Studies
• Subjects: Guides > Sport; Humanities, art, music > Art > Miscellaneous