How the Classics Made Shakespeare

"This book grew from the inaugural E. H. Gombrich Lectures in the Classical Tradition that I delivered in the autumn of 2013 at the Warburg Institute of the University of London, under the title, "Ancient Strength: Shakespeare and the Classical Tradition"--Preface, page ix.

About the author

Jonathan Bate is Foundation Professor of Environmental Humanities at Arizona State University and Senior Research Fellow at Oxford University. His many books include Soul of the Age: A Biography of the Mind of William Shakespeare. He broadcasts regularly for the BBC, is the coeditor of The RSC Shakespeare: Complete Works, and wrote an acclaimed one-man play for Simon Callow, Being Shakespeare. Twitter @profbate

Summary

From one of our most eminent and accessible literary critics, a groundbreaking account of how the Greek and Roman classics forged Shakespeare's imagination

Ben Jonson famously accused Shakespeare of having "small Latin and less Greek." But he was exaggerating. Shakespeare was steeped in the classics. Shaped by his grammar school education in Roman literature, history, and rhetoric, he moved to London, a city that modeled itself on ancient Rome. He worked in a theatrical profession that had inherited the conventions and forms of classical drama, and he read deeply in Ovid, Virgil, and Seneca. In a book that combines stylistic brilliance, accessibility, and extraordinary range, acclaimed literary critic and biographer Jonathan Bate, one of the world's leading authorities on Shakespeare, offers groundbreaking insights into how, perhaps more than any other influence, the classics made Shakespeare the writer he became.

Product details

• Authors: Jonathan Bate, Bate Jonathan
• Publisher: Princeton University Press
• Languages: English
• Product format: Paperback / Softback
• Released: 31.10.2020
• EAN: 9780691210148
• ISBN: 978-0-691-21014-8
• No. of pages: 384
• Series: E. H. Gombrich Lecture Series
• Subjects: Humanities, art, music > Linguistics and literary studies > General and comparative literary studies; English, LITERARY CRITICISM / Drama, LITERARY CRITICISM / Ancient & Classical, LITERARY CRITICISM / Modern / General, Literary studies: classical, early & medieval, Literature: history & criticism, Literary studies: c 1500 to c 1800, Literary studies: c 1600 to c 1800, Literary studies: plays & playwrights, Literature: history and criticism, Literary studies: ancient, classical and medieval, Literary studies: plays and playwrights