Read more
Zusatztext An exhilarating map of the development of an entire nation’s songs, singers and fans, providing ample signposts of further ideas for your listening pleasure. Informationen zum Autor Toru Mitsui is Professor Emeritus of English and Music at Kanazawa University, Japan, where he taught the first postgraduate course in popular music studies in the country. He has been a corresponding editor for Popular Music since 1983, is on the Editorial Board of Popular Music History , and is an International Advisory Editor for Bloomsbury’s Encyclopedia of Popular Music of the World . His publications in English include Karaoke Around the World: Global Technology, Local Singing (co-edited with S. Hosokawa, 1998) and Made in Japan: Studies in Popular Music (edited, 2014).An overview of popular music in Japan with a focus on the role of western influence. Zusammenfassung Popular music in Japan has been under the overwhelming influence of American, Latin American and European popular music remarkably since 1945, when Japan was defeated in World War II. Beginning with gunka and enka at the turn of the century, tracing the birth of hit songs in the record industry in the years preceding the War, and ranging to the adoption of Western genres after the War--the rise of Japanese folk and rock, domestic exoticism as a new trend and J-Pop-- Popular Music in Japan is a comprehensive discussion of the evolution of popular music in Japan. In eight revised and updated essays written in English by renowned Japanese scholar Toru Mitsui, this book tells the story of popular music in Japan since the late 19th century when Japan began positively embracing the West. Inhaltsverzeichnis List of Figures Preface Notes on names, spelling and translation A note on the cover image Transformation inspired by the West (1)1. The French Revolution and the emergence of enka Transformation inspired by the West (2)2. Songs in triple time sung in duple timeTransformation inspired by the West (3)3. “Sing Me a Song of Araby” and “My Blue Heaven”: When the production of hit songs began in the late 1920sTransformation inspired by the West (4)4. Far Western in the Far East: Japanese Country & WesternTransformation inspired by the West (5)5. Music and protest in the late 1960s: the rise of underground folkTransformation inspired by the West (6)6. Japan in Japan: looking for inexpensive, potential stars from abroadTransformation inspired by the West (7)7. Nurturing the Japanese version of an American tradition: music from the South Transformation inspired by the West (8)8. Domestic exoticism: a trend in the age of ‘world music’Transformation inspired by the West (9) References Index ...
