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Zusatztext Reading the diverse collection of essays in Monsters and Monstrosity in Jewish History: From the Middle Ages to Modernity ! I found myself at once educated! entertained...and alarmed. If the essays! taken together! show monsters and monstrosity to have been fluid categories over a millennium of Jewish history! they also show that the "monster" was not quite an empty signifier. Indeed! menacing monsters are today being empowered the world over by naive electorates. Despite the astounding popularity of Frankenstein and The Golem ! their shared message seems unheeded: those who believe that a monster will serve its creators' interests are tragically mistaken. This is my takeaway for today! but I would be remiss were I not to emphasize that the great achievement of this volume is its demonstration that by looking at the seemingly marginal topic of monsters and monstrosity in Jewish history! central and essential features of the historical landscape are illuminated-albeit in black light! Informationen zum Autor Iris Idelson-Shein is Gerda Henkel Research Fellow at Goethe University Frankfurt am Main, Germany. She is the author of Difference of a Different Kind: Jewish Constructions of Race During the Long Eighteenth Century (2014). Christian Wiese holds the Martin Buber Chair in Jewish Thought and Philosophy at the Goethe University Frankfurt am Main, Germany. He is the editor, together with Cornelia Wilhelm, of American Jewry: Transcending the European Experience? (Bloomsbury, 2016). Zusammenfassung This is the first study of monstrosity in Jewish history from the Middle Ages to modernity. Drawing on Jewish history, literary studies, folklore, art history and the history of science, it examines both the historical depiction of Jews as monsters and the creative use of monstrous beings in Jewish culture.Jews have occupied a liminal position within European society and culture, being deeply immersed yet outsiders to it. For this reason, they were perceived in terms of otherness and were often represented as monstrous beings. However, at the same time, European Jews invoked, with tantalizing ubiquity, images of magical, terrifying and hybrid beings in their texts, art and folktales. These images were used by Jewish authors and artists to push back against their own identification as monstrous or diabolical and to tackle concerns about religious persecution, assimilation and acculturation, gender and sexuality, science and technology and the rise of antisemitism. Bringing together an impressive cast of contributors from around the world, this fascinating volume is an invaluable resource for academics, postgraduates and advanced undergraduates interested in Jewish studies, as well as the history of monsters. Inhaltsverzeichnis List of IllustrationsIntroduction: Writing a Jewish History of Horror, or What Happens When Monsters Stare Back, Iris Idelson-Shein (Goethe University Frankfurt am Main, Germany) Part I: The Monster Without: Monsters in Jewish-Christian Inter-Cultural Discourse 1. Monsters, Demons and Jews in the Painting of Hieronymus Bosch, Debra Higgs Strickland (University of Glasgow, UK) 2. Bestial Bodies on the Jewish Margins: Race, Ethnicity and Otherness in Medieval Manuscripts Illuminated for Jews, Marc Michael Epstein (Vassar College, USA) 3. enge unpathas uncuð gelad: The Long Walk to Freedom, Asa Simon Mittman (California State University, Chico, USA) and Miriamne Ara Krummel (University of Dayton, USA) 4. Demonic Entanglements: Contextualisations of Matted Hair in Medieval and Early Modern Western and Eastern Ashkenaz, François Guesnet (University College London, UK) 5. A Jewish Frankenstein: Making Monsters in Modernist German Grotesques, Joela Jacobs (University of Arizona, USA) 6. “Der Volf” or the Jew as Out(side of the)law, Jay Geller (Vanderbilt Un...
