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Zusatztext Through this engaging and methodical study, Yuichi Tsukada illustrates just how nebulous and complex the evocations of Elizabeth I could be in Jacobean drama. Although Shakespeare is the primary focus, the readings of other contemporary texts are also compelling and vividly, if briefly, drawn, and it is clear by the end of the study that the ghost of Elizabeth I would, contrary to the authors seeking to silence her, continue to haunt her successor and her country. Informationen zum Autor Yuichi Tsukada is Associate Professor of English Literature at Waseda University, Japan. He received his BA and MA from the University of Tokyo and his PhD from King’s College London. His journal articles on Shakespeare have won him fellowships and awards, including the Young Scholar Award of Special Merit from the English Literary Society of Japan. Klappentext In 1603, Queen Elizabeth I died and King James I inherited the English throne. During James's reign, England continued to hark back to Elizabeth, comparing him with his predecessor - not always in a way that was either flattering or pleasing to James. Critics have traditionally assumed that Shakespeare avoided involving himself in this discourse. In this study of Shakespeare's Jacobean plays, however, Yuichi Tsukada demonstrates that, far from not involving himself in the phenomenon of nostalgia for Elizabeth, Shakespeare interacted closely with retrospective writings on Elizabeth and illuminated the complex politics behind the nostalgia. Based upon close readings of Macbeth , Antony and Cleopatra , Coriolanus , Cymbeline and Henry VIII , together with a range of plays by Shakespeare's contemporaries, including Thomas Heywood, Thomas Dekker, George Chapman, John Marston, Thomas Middleton and Ben Jonson, the book traces the ongoing cultural negotiation of the memory of Elizabeth.Yuichi Tsukada offers fresh insights into enigmatic aspects of Shakespeare's Jacobean drama. For instance, what was the original significance of the two contentious prophecies - 'none of woman born' and the march of Birnam Wood - in Macbeth ? Or that of the seemingly out-of-place triumphal procession of Volumnia near the tragic end of Coriolanus ? Although her memory recurred in all forms of discourse throughout the first decade of James's reign, the impact of this cultural undercurrent on Shakespeare's Jacobean drama has been ignored or underestimated. Shakespeare and the Politics of Nostalgia reveals the unnoticed richness of Shakespeare's Jacobean drama by focusing on the growing cultural and political nostalgia for England's dead queen. Zusammenfassung In 1603, Queen Elizabeth I died and King James I inherited the English throne. During James’s reign, England continued to hark back to Elizabeth, comparing him with his predecessor – not always in a way that was either flattering or pleasing to James. Critics have traditionally assumed that Shakespeare avoided involving himself in this discourse. In this study of Shakespeare's Jacobean plays, however, Yuichi Tsukada demonstrates that, far from not involving himself in the phenomenon of nostalgia for Elizabeth, Shakespeare interacted closely with retrospective writings on Elizabeth and illuminated the complex politics behind the nostalgia. Based upon close readings of Macbeth , Antony and Cleopatra , Coriolanus , Cymbeline and Henry VIII , together with a range of plays by Shakespeare's contemporaries, including Thomas Heywood, Thomas Dekker, George Chapman, John Marston, Thomas Middleton and Ben Jonson, the book traces the ongoing cultural negotiation of the memory of Elizabeth.Yuichi Tsukada offers fresh insights into enigmatic aspects of Shakespeare’s Jacobean drama. For instance, what was the original significance of the two contentious prophecies – 'none of woman born' and the march of Birnam Wood – in Macbeth ? ...
