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Dans sa maison bourgeoise de la Flandre profonde, une vieille demoiselle vient de décéder, pleurée de sa fidèle servante, tandis que les neveux s'affairent aux préparatifs des funérailles.
Le grand saint Antoine de Padoue se présente à l'entrée et se fait connaître à la servante au cours d'une conversation où il se propose d'apaiser son chagrin en ressuscitant sa maîtresse.
Passé un moment de surprise, la servante fait part de sa réticence à voir disparaître la part d'héritage que le décès de la vieille dame supposait. Les neveux, informés à leur tour, expriment même leurs protestations : ils n'entendent pas renoncer à l'héritage convoité...
About the author
Maurice Maeterlinck (1862-1949) was a Belgian playwright, poet, and essayist, renowned for his contributions to the symbolist movement in literature. His work is known for its exploration of existential themes, metaphysical concepts, and the human condition. Some of his notable works are, The Blue Bird (1908): Perhaps Maeterlinck's most famous play, it is a symbolist fairy tale that follows the journey of two children in search of happiness. The play is renowned for its exploration of the search for meaning and the nature of happiness. Pelléas and Mélisande (1893): This play is a quintessential example of Maeterlinck's symbolic style, presenting a haunting and enigmatic love story. It was influential in the development of modern drama and had a significant impact on French and Belgian theater. The Princess Maline (1909): Another notable play that continues Maeterlinck's exploration of symbolic and existential themes through its narrative. Maeterlinck's influence extends beyond his own time, impacting the development of modern drama and the Symbolist movement. His exploration of profound philosophical and existential themes has left a lasting mark on literature, and his works continue to be studied and appreciated for their depth and innovative approach to storytelling.
