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Zusatztext Remarkable . . . Captivating writing: rhythmic, alert, empathetic . . . Cool satirical swing . . . I haven’t enjoyed another book more this year. Informationen zum Autor Bette Howland (1937-2017) was the author of three books: W-3 , Blue in Chicago , and Things to Come and Go . She received a MacArthur Fellowship in 1984, after which, though she continued writing, she would not publish another book. Near the end of her life, her stories found new readers when a portfolio of her work appeared in a special issue of A Public Space magazine exploring a generation of women writers, their lifetimes of work, and questions of anonymity and public attention in art. Klappentext 'She holds the city's humanity in an uneasy but affectionate embrace, and her voice is unlike any other. Fiercely straightforward, honest, angry, warm-hearted.' New York Times 'Grippingly good . . . an insanely sane mix of the hard-to-fight city in the '70s and the accidental poetry of families stumbling through time.' Vogue 'If there's a Howland bandwagon (and there should be), hold me a seat, or I'll stand. No problem, I'll stand.' Paris Review 'The work of a woman who has invested her life in her art, and who will, I think, be remembered as one of the significant writers of her generation.' Saul Bellow 'Brilliantly percipient and darkly witty stories that go memorably and feelingly deep into life and come out with something like hard-won wisdom.' David Hayden, author of Darker with the Lights On 'Sharp, wry, entirely of their city; confidingly cynical, then with a sudden soulfulness that sends you reeling - I loved these stories.' Lucy Caldwell, author of Multitudes Vorwort The bittersweet, sharply observed stories in Blue in Chicago introduce British readers for the first time to Bette Howland, a forgotten great of twentieth-century American fiction, perfect for fans of Lucia Berlin, Lydia Davis and Alice Munroe. Zusammenfassung 'One of the significant writers of her generation.' Saul Bellow 'Her prose is cooler than a cocktail and sharper than a Japanese knife . . . Nora Ephron meets Lorrie Moore, which is about as good as it gets.' Observer 'We should be glad to have her back . . . Howland has the pinpoint vision that can make any sentence into a jewel' The Times Blue in Chicago brings together the bittersweet short stories of the remarkable American writer Bette Howland. Hailed as a major talent before all but disappearing from public view, this tenderly compiled collection restores her vital voice to our shelves. Bette Howland was an outsider: an intellectual from a working-class neighborhood in Chicago; a divorcee and single mother, to the disapproval of her Jewish family; an artist chipped away at by poverty and self-doubt. Her stories radiate a passionate commitment to the lives of ordinary people and the humble grace of everyday. From city streets to the hospital to the public library to the mundane family outing, her sly humour, aching melancholy and tender insight illuminate every page. Here is an astonishing literary voice rediscovered. Blue in Chicago features an afterword by Honor Moore and was published in the US under the title Calm Sea and Prosperous Voyage. 'Beautifully bittersweet . . . funny, ruefully poetic and effortlessly perceptive.' Daily Mail 'Remarkable . . . Captivating writing: rhythmic, alert, empathetic . . . I haven’t enjoyed another book more this year.' Telegraph 'Profound . . . To read Bette Howland is to be handed a gift you didn't know you needed.' Irenosen Okojie, author of Nudibranch ...
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The work of a woman who has invested her life in her art, and who will, I think be remembered as one of the significant writers of her generation. Saul Bellow
